Can spot colours be proofed?

Since many printed matter contains spot colours such as Pantone or HKS, the question often arises whether these colours can be proofed at all. The answer is “no”. Only an approximate simulation of these colors is possible.
The reason: Each special ink is a specially mixed, “real” ink and therefore cannot be mixed from the 4 printing inks (cyan, magenta, yellow and black).

Today, modern proofing machines have up to 12 different printing colours and, in addition to the classic primary colours, also have, for example, orange and green and violet as real colour pigments in the machine. Proof printers such as the Epson SureColor P9000V are therefore capable of displaying significantly larger color spaces than, for example, ISOCoatedV2. The spot color simulation in these devices is therefore sometimes very good when controlled via a Contone driver, which can access the entire color space of the proof printer. Epson himself points out, for example, that “98% of all Pantone colors” can be covered. This may be doubted, but a number of over 90% of all Pantone colors is realistic from our point of view.

In the past, Pantone and HKS colors were simply converted by the proofing systems to CMYK and then simulated in the standard color space, i.e. mostly ISOCoatedV2. The representation of the colors here is mostly completely insufficient. For the reproduction of Pantone and HKS colours in a proof it is therefore immensely important to have a modern proof printer with many colours and a high colour gamut and a modern proofing software which is also able to precisely control the printed gamut.

Differences in the quality of the simulation of spot colors can quickly be seen in the different printing systems: If the proofing service provider prints with an older 6-color or 8-color system (Cyan, Light Cyan, Magenta, Light Magenta, Yellow and Black or Light Black), spot colors are simulated worse than, for example, with a modern 11-color system with Cyan, Light Cyan, Orange, Yellow, Magenta, Light Magenta, Photo Black, Matte Black, Light Black, Light light Black and Green.

The higher simulation quality of the spot colors is generated by the fact that orange, for example, already exists as a separate color and does not have to be mixed from magenta and yellow before the spot color simulation.

Of course, it must be said that there are limits, especially in the area of metallic or fluorescent colours; these colours are currently not reproducible in proofing.

The spot-colour simulation of gradations is also critical

In most proofing systems, only the 100% values of a Pantone or HKS color are underlaid. If, for example, a font logo with 100% color application of a Pantone color is to be simulated, this is precise and is well represented in most proofing systems.

However, it becomes more difficult if the logo contains not only 100% areas but also a 30% Pantone colour area, since this is not defined in the proofing system, but is simulated by the proofing system. In some cases, considerable deviations from e.g. HKS colour fans can be observed.

It becomes even more difficult if, for example, a grayscale TIFF lies on a 100% HKS area and overprints. For the graphic professional it is immediately comprehensible that the HKS surface simply has to become correspondingly darker at this point due to an overprinting 30% black. However, the proofing software must recognize this effect correctly, calculate it correctly and then simulate it correctly with the 11 colors available from the proof printer. It is easy to understand that countless errors can occur. And the supreme discipline: 7-colour Pantone files with lots of overlaying and overprinting Pantone colours or HKS colours with overprinting CMYK elements can at best be calculated even by the most modern proofing systems, but can by no means be colour-accurately simulated.

The bad news is that a proof with spot colors is therefore never as color-binding according to the current state of the art and varies more depending on the proofing system.

But the good news is that spot colors, especially solid colors, can now be simulated well by modern proofing systems. A modern proofing system therefore also offers the possibility of getting a realistic impression of spot color prints at a fraction of the cost of a test print on a offset press.

More articles related to this topic:

Precise proofing of tonal values of spot colours

In recent weeks, there have been lengthy discussions on the Fogra digital printing mailing list as to whether a research project should be launched to define standardised tonal value gradations for spot colours. What is this all about? In the field of CMYK and seven-colour printing, the definition of clear, printable and proofable standards is well established and has been tried and tested in practice. If the paper or paper class is known and defined, a measuring standard such as M0/M1/M2 has been established and the content of optical brighteners  … read more

Colour deviations in 2023 PANTONE Color Bridge Guides

After Eddy Hagen pointed out in this posts, that there were some major colour deviations between the brand new PANTONE Solid Coated Guide 2023 and the previous version especially for the PANTONE 2635 C, I was curious to lookup the same colours in the new PANTONE Color Bridge Coated Guide of 2023 and compare the colours with the previous version. I measured a dE00 of 8,15 between the two colours that Eddy mentioned, which is really far apart from how accurate PANTONE colours should match between the different PANTONE guides.  … read more

New PANTONE Formula Guides with incorrect ink formulations

Several errors have crept into the new PANTONE 2023 fan decks. In both the PANTONE Solid Coated and the Solid Uncoated color fans, there are colours for which the new ink formulations are incorrect. In the PANTONE Formula Guide Solid Coated fan 2023, PANTONE 107 C and PANTONE 108 C have absolutely identical ink recipes, as well as PANTONE 113 C and PANTONE 114 C. As the colors differ, this cannot be the correct. Several errors in the PANTONE Solid Uncoated fan 2023 In the PANTONE Solid Uncoated fan 2023  … read more

“Digital First” often means “Colour Problems Second!”

Whether it’s a large global corporation or a small company, the following often applies to designs or redesigns today: we develop everything for digital first.

Proof.de: New video online

In this short image video we – the Proof GmbH – introduce us and our work. Find out who we are and what drives us. What do you think of our short film?

Current Proof Standards 2024

Offset and Newsprint ISO Coated v2 (ECI) / ISO Coated v2 300% (ECI) Profile: ISOcoated_v2_eci.icc Standard for glossy and matte coated paper Paper: Types 1 and 2, gloss and matte coated Tone value increase curves A (CMY) and B (K) as defined in ISO 12647-2:2004 Characterisation Data: FOGRA39L ISOUncoated Profile: ISOUncoated.icc Standard for uncoated white natural paper Paper: paper grade 4, uncoated white offset, dot gain curves C (CMY) and D (K) from ISO 12647-2: 2004 Characterisation Data: FOGRA29L PSOCoatedV3 / Fogra 51 Profile: PSOcoated_v3.icc The successor of ISOCoatedV2 for glossy  … read more

Proof GmbH 2021 Certified Again by Fogra with Fogra “Spot cert”

In 2021 proof.de was again Fogra certified including Fogra “Spot cert” certification, i.e. for the display of spot colours such as PANTONE C and U.

PANTONE Find a Color No Longer Available Without Registration

Shortly after Adobe’s announcement to remove PANTONE colours from their products, PANTONE removed the popular PANTONE Find a Color from their website

Adobe Software Without PANTONE Colours

The announcement was hot: As of March 2022, Adobe software products will no longer contain PANTONE colour libraries. What follows now? Who loses, who wins?

PANTONE Metallics and Premium Metallics combined in one fan

PANTONE has combined and supplemented its two metallics fans “PANTONE Metallics Coated” and “PANTONE Premium Metallics Coated” into one fan.