How exactly can printing ink be measured?

For some years now, the possibilities of colorimetric measurement of printing inks have become simpler and cheaper. And so it is often believed that measuring printing inks is simple, inexpensive and, above all, highly accurate. And this also across a wide variety of brands and generations of measuring devices. Is that true?

If you look at a few studies, that does not necessarily seem to be the case. IFRA, for example, requires that when measuring BCRA ceramic tiles the colour differences between different measuring instruments should be below Delta-E 0.3. In reality, however, things looked different. In a Nussbaum study, 8 out of 9 measurements were for a Delta-E greater than 2.0; in a Wyble & Rich study, the deviations were between Delta-E 0.76 and 1.68. But why are the deviations so large?

On the one hand, the measuring instruments differ in the way they illuminate the surfaces to be measured. This is important in two respects: On the one hand, measurements can vary greatly depending on the material, for example, because light is emitted and measured from only one light source onto the measuring surface. If a measuring instrument has only one lamp, which, for example, radiates at an angle of 45 degrees onto the measuring surface and whose reflection is measured, then the measurement can deviate by up to Delta-E 3.0 if you only rotate the measuring instrument about its own axis. If a left-handed person and a right-handed person measure the same tiles with the same measuring device, then just by holding the measuring device differently and by the different lighting angles of the tiles a measurement can be completely different.

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The proof is much darker than the image on my monitor. Why?

Customers are often unsettled when they hold a proof in their hands. “The proof of the picture is much darker than the picture on my monitor. Why is that so? And what do I do now?” There are many possible reasons for a deviation between the proof and, for example, the monitor display: The monitor is not calibrated Only calibrated monitors can accurately display color. When I buy a cheap monitor and connect it to my computer, I definitely can’t see any real color. As a rule of thumb, only …

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D50 is not the same as D50: Standardized light and ISO3664:2009

Since 2009, printers and proofing service providers have increasingly encountered a new D50 lighting standard: ISO 3664:2009, which defines how the new D50 standardized light, under which proofs and print products are to be evaluated, looks like. The new standard light contains UV components that address the optical brighteners that are frequently used in offset papers nowadays.

The result: next to a bluish-white glowing sheet in the pressroom, there is a yellowish-pale proof.

What is the reason for this? The standard came sort of as a surprise and was poorly communicated within the industry. All proofing substrates available from proofing service providers contain no or almost no optical brighteners – this was previously a requirement. And under the old D50 standardized light – which did not contain any UV components – the proof and production run looked identical, since the optical brighteners were not addressed in the production run. Proofing and production printing can no longer be compared on all new presses that are already equipped with light tubes of the new standard: This looks completely different, the differences in paper white are absolutely obvious.

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Standardized light and metamerism effect

A proof is only as good as the light under which it is viewed. Just going to the window or switching on the light at dusk is useless: between December and July, between 8 am and 8 pm, between cloudy and sunny days there is a huge difference in the lighting, which makes any colour evaluation impossible. And if you switch on the light, you normally switch on a bulb with 2700 Kelvin – or even worse: an energy-saving neon bulb that somehow shines in any spectra… a disaster! The …

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