Which proof profile for corrugated plastic posters and election posters?

As is well known, elections are always around the corner, and the trend towards ever larger and more numerous election posters is unbroken. In the past, only Mother Nature made the landscapes colourful in spring, but today every local, state, federal and European election does so easily. Every candidate, every large or small party now has the technical and financial means to transform entire streets into a colourful sea of messages and faces. Once the photographer has captured the election candidates well in the studio, the pictures go off for …

Read more

Proofs for recycled paper. Is that possible?

We produce proofs for classic white uncoated papers on a daily basis, but the question often arises as to which proof standard could be used for printing on recycled paper. In general, the paper white in a proof is precisely defined in the proof standard and is also measured in every test report. For PSOUncoated it is 95.00 / 0.00 / -2.00 in CIELAB and for PSOUncoatedV3 it is 93.50 / 2.50 / -10.00, i.e. slightly darker (93.50 instead of 95.00 for brightness L) and significantly bluer (-10.00 instead of …

Read more

The new Proof Packaging from Proof.de: From now on your proofs are even better protected.

Affordable Proof Shipping, now worldwide.

Proof GmbH has now even more attractive shipping terms for domestic and international shipping. In addition, proofs can now be sent via Express and standard shipping worldwide. Throughout Germany shipping costs for packages from Proof A3 were reduced to only 9,-€. In international shipping, costs were partially reduced by almost 50%. Proofs can now be sent quickly and conveniently wordwide. shipping costs and options are directly calculated in the shop so that a quick and direct proof order is possible. Express delivery in the EU is now from 35, – …

Read more

Is it possible to proof on special paper such as production paper?

“We print 135gr/sqm on a Berberich Allegro. Can you make us a proof on this paper? Can you proof on our final production paper?”

Our telephone support often asks for a proof on production paper. Unfortunately, we always have to answer the question negatively. I would like to briefly explain the reasons for this in the following article.

Proofing on production paper is still technically impossible.

All proofing systems currently certified by Fogra are based on an inkjet printer as a test printer, mostly from Epson, Canon or HP. These printers are characterised by a large colour space, good resolution and excellent homogeneity and colour stability – all characteristics that are absolutely necessary for a proof printing system. The Epson systems used by the majority of proof printers are based on 11-colour pigment inks, which can reproduce a significantly larger colour space than e.g. ISOCoatedV2. However, the prerequisite for this is the use of special papers optimized for inkjet printing, in which the pigments and inks are optimally emphasized. This requires special coatings that are optimized for optimum reproduction, fast drying, good abrasion resistance and high UV stability of the print. On an image printing paper without these coatings, the ink would run, hardly dry and would not be smudge-proof. The color space would also be impossible to achieve. A proof would therefore not be possible from this point of view.

Read more

The new Proof Packaging from Proof.de: From now on your proofs are even better protected.

New packaging at Proof.de

Proof.de has introduced new packaging for proofs up to DIN A4+ and from A3.

The new A4+ packaging are made of high quality Chromosulfatcardboard with 450gr/m² weight and provided with a pull tab. They can be fitted on the front either with an adress label and postage stamp or for express shipments with a DHL Express label, as shown in the picture below. For shipping abroad we use to send via world letter large with registered mail, which is now directly printed as an adress label with stamp.

Die neuen Proof Verpackungen von Proof.de: Ab sofort sind Ihre Proofs noch besser geschützt.

The new cardboard shipping sleeves are slightly slimmer than before and also provided with a comfortable pull-tab. The new address labels are easy to recognize as of Proof.de. For the different formats between Proof DIN A3 and DIN A0 + they are available in various lengths and are each used appropriately according Proof size. They are used with DHL shipping labels for the standard shipping and express delivery.

Read more

Heatset and coldset? What’s the difference?

Nowadays, two different processes are used in web offset printing: heatset and coldset.

The coldset process is mostly used to print newspapers and paperbacks, with the printing ink drying purely by absorption.

In the heatset process, the paper is passed through a large dryer and a chill roll unit after the last printing unit. The length of the printing press is almost doubled by these two units. To ensure that the ink dries optimally, special heat-drying inks are used here.

Read more

Moiré effect through overlapping grid

What is Moiré? And can I see Moiré in a proof?

The Moiré effect, or in other words a halftone screen overlay, is a common phenomenon when viewing prints. It occurs when two even patterns overlap unevenly.
Moiré Effekt

When does Moiré appear?

Moire is always created when screens overlap. Typical examples:

  • You have scanned in a newspaper ad and print it in another newspaper.
  • You print the portrait of a managing director wearing a jacket with a fine houndstooth pattern, a checkered shirt and a finely patterned tie. Regardless of the printing process, complete moiré chaos is guaranteed to break out here.
  • A brick building is reproduced in offset printing.
  • The photograph of a ventilation grille is viewed on a monitor

    Read more

original picture, iso coated v2 300%

What is a finishing proof? Fogra49 and Fogra50 in detail.

With the proof standards Fogra49 and Fogra50 for the first time a proof standard was created that is not binding for printing. Why?

Fogra49 and Fogra50 describe two colour spaces as they are created by foil lamination not after printing but after printing and finishing.

  • Fogra 49 refers to the ICC profile: PSO Coated v2 300% Matte laminate (ECI) – PSO_Coated_v2_300_Matte_laminate_eci.icc
  • Fogra 50 refers to the ICC profile: PSO Coated v2 300% Glossy laminate (ECI) – PSO_Coated_v2_300_Glossy_laminate_eci.icc

Why were these profiles created?

Print finishing plays an increasingly important role in the further processing of printed matter. The application of a printing varnish, for example, is nowadays usually done directly during the printing process, e.g. with dispersion varnish in a 5th inking unit. The print image is usually only slightly changed in the process: An dispersion varnish, for example, results in a dot gain of 2-3 percent, a UV varnish up to around 5-7 percent. In contrast, foil lamination with OPP foil has a much stronger

Read more

Create EAN / GTIN codes: Tips for graphic artists

EAN codes are standard on every product today. While in the good old days, shopowners themselves typed the prices into a cash register by hand, today scanner cash registers are the rule, which scan standardized EAN codes with a laser and thus clearly recognize the article and add it to the receipt.

EAN, by the way, stands for “European Article Number” and was replaced in 2009 by the global GTIN, “Global Trade Item Number”. The EAN or GTIN is a barcode that can be read automatically and read by barcode readers.

For graphic designers in Europe, two standards from the almost infinite number of EAN codes in use worldwide are primarily important in the product area. EAN 13 and EAN 8, i.e. a barcode of either 13 or 8 digits. What do these numbers actually mean?

Read more

PDF/X4 – The future of PDF/X?

The PDF/X4 standard, a new PDF specification for PDF export, has already been available for several years. But what are the advantages of PDF/X4? Users from the print sector have known the ISO PDF-X standards for many years. If the name PDF stands for “Portable Document Format”, i.e. the portable and thus transferable document, PDF “X” is a version specialized for “eXchange”, i.e. the exchange of PDF files. In concrete terms, this means that many of the functions that a PDF file can potentially display (form fields, calculations, 3D elements, …

Read more

The proof is much darker than the image on my monitor. Why?

Customers are often unsettled when they hold a proof in their hands. “The proof of the picture is much darker than the picture on my monitor. Why is that so? And what do I do now?” There are many possible reasons for a deviation between the proof and, for example, the monitor display: The monitor is not calibrated Only calibrated monitors can accurately display color. When I buy a cheap monitor and connect it to my computer, I definitely can’t see any real color. As a rule of thumb, only …

Read more

My customer wants to print on a tin can. Pantone? CMYK? Can this be simulated in the proof?

Requests such as the proof of a printed tin can often reach us. Why can’t such a printed can be “proofed”? A proof is a standardized product. Take the classic ISOCoatedV2 proof, for example; the standard proof for coated printing paper. Here is the definition in brief: “Paper type 1 and 2, glossy and matt coated paper, dot gain curves A (CMY) and B (K) from ISO 12647-2:2004” (Source: farbproofs.de) Metal is printed with a varnish. Neither the colour of the metal of the tin can nor the colour of …

Read more

White lines appearing in print PDFs in Adobe Acrobat

The question often arises why when creating a PDF-X/3:2002 file in Adobe Acrobat, white lines often appear in the preview when there are no lines at all in the file. The answer is simple: In contrast to current PDF printing standards such as PDF/X-4:2010, which is exported as PDF 1.6 standard, the PDF-X/3:2002 standard often required by printers uses PDF format 1.3, in which transparency is prohibited. As a result, when you create drop shadows in Adobe InDesign, for example, they are converted into rectangular images. If such drop shadows …

Read more

A proof without profile. Is that possible?

Proofing service providers are often asked the question: “I have to have a proof done, but I don’t know for which profile. Can I also have a proof made without a profile?” Proofs are standardized products that are created and tested according to a certain set of values. This is exactly the point that distinguishes them from any “colourful printouts”. Specifically: A proof for coated printing paper is produced according to the standard values of ISOCoated V2 (paper type 1 and 2, glossy and matt coated image printing, dot gain …

Read more

proof.de Packaging of a Proof/ Digital proof

What’s a proof for? The most important reasons for proofing!

A proof is reassuring: The proof shows the colour result of the subsequent printing. The customer knows exactly the later result from the proof and is reassured. The printer knows that the customer knows the proof and is also reassured. A proof is fast: Ordered today, delivered tomorrow: Modern proofing service providers work quickly and produce hardly any loss of time in the design and printing process A proof is precise: All professional service providers nowadays work with proof printers that are recalibrated at short intervals. A media wedge with …

Read more

Comparison between eciRGB_V2 (white) and AdobeRGB 1998

Which RGB working colour space is suitable for colour-consistent work?

In the early days of color spaces Apple and e.g. Photoshop up to version 5.5 set the monitor color space as working color space by default. But it soon became clear that a design office would be working with 10 Macs in 10 different color spaces. A neutral concept was needed. There are many RGB Colour Spaces around. In the area of print media there are currently primarily three different variants: sRGB, AdobeRGB(1998) and eciRGB_V2. The sRGB color space is widely used in digital cameras and is the industry leader …

Read more

What data should I give for proofing?

A proof is suitable for two types of color control: firstly, during the creation or retouching phase, e.g. to reconcile a color retouched image with the original, and secondly to check the final data directly before printing.

For control proofs during the data creation of a project, the data format usually does not matter. Whether PDF, JPEG, TIFF; EPS, PS or even PSD… Many proofing companies accept a variety of data formats. For a correct evaluation of the result, however, it is important to proof in the color space in which the print product is also created later. Data for a letterhead should therefore be proofed in ISOUncoated or PSOUncoated, while products printed on image printing paper should be proofed in ISOCoatedV2. For yellowish paper, newsprint or gravure printing, there are many other profiles for which a proof can be produced. You can find a good overview of the current proof profiles here. It is also important that the proof format and the final print format do not differ too much. Only in this way is a correct check possible.

Read more

Can spot colours be proofed?

Since many printed matter contains spot colours such as Pantone or HKS, the question often arises whether these colours can be proofed at all. The answer is “no”. Only an approximate simulation of these colors is possible.
The reason: Each special ink is a specially mixed, “real” ink and therefore cannot be mixed from the 4 printing inks (cyan, magenta, yellow and black).

Today, modern proofing machines have up to 12 different printing colours and, in addition to the classic primary colours, also have, for example, orange and green and violet as real colour pigments in the machine. Proof printers such as the Epson SureColor P9000V are therefore capable of displaying significantly larger color spaces than, for example, ISOCoatedV2. The spot color simulation in these devices is therefore sometimes very good when controlled via a Contone driver, which can access the entire color space of the proof printer. Epson himself points out, for example, that “98% of all Pantone colors” can be covered. This may be doubted, but a number of over 90% of all Pantone colors is realistic from our point of view.

Read more

Standardized light and metamerism effect

A proof is only as good as the light under which it is viewed. Just going to the window or switching on the light at dusk is useless: between December and July, between 8 am and 8 pm, between cloudy and sunny days there is a huge difference in the lighting, which makes any colour evaluation impossible. And if you switch on the light, you normally switch on a bulb with 2700 Kelvin – or even worse: an energy-saving neon bulb that somehow shines in any spectra… a disaster! The …

Read more

Embed fonts, convert them into paths or rasterize them?

To ensure secure data exchange between customers and proofing service providers, fonts must be embedded, converted into paths or rasterized. This ensures that it is and remains exactly the same font and exactly the same style. How do I do that? With InDesign and QuarkXPress, you select the PDF/X-3 standard when exporting data. For Illustrator and Freehand, select the font and select “Convert font to paths” from the menu. In Photoshop, select the text layer, right-click on it and select “Rasterize Text”.  

WordPress Cookie Plugin by Real Cookie Banner