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Adobe Color Picker 2019: Decimal places possible in InDesign and Illustrator
Adobe has updated its colour picker in the 2019 version. Especially in Adobe InDesign 2019, decimal places are now possible for LAB and CMYK during colour input, which is a long-desired feature especially in the high-end colour area. Up to now it was already possible in Adobe InDesign to enter colour values e.g. in CMYK with decimal places and to write them into the PDF during PDF export, but only integer values were displayed.
In Adobe InDesign 2019, three decimal places can now be entered for LAB and CMYK and can also be read out again. However, these values are not adopted in the automatic labelling of the colour fields, although this can always be adjusted manually.
In Adobe InDesign 2019, values with up to 3 decimal places can now be entered for CMYK and LAB.
Also in Adobe Illustrator 2019 CMYK inputs with decimal places are now possible, although only two decimal places are possible here. With LAB, only an integer entry is still possible.
Adobe Illustrator 2019 Color Picker CMYK Input with two decimal places
Adobe Illustrator 2019 Color Picker LAB Input only possible without decimal places
Only Adobe Photoshop still does not allow any decimal places, but only whole numbers, it does not matter whether the file is in 8Bit or 16Bit. This applies equally to LAB, RGB, CMYK and grayscale: In none of the colour systems is a specification with decimal places allowed.
Adobe Photoshop 2019 Color Picker CMYK LAB Input without decimal places
It is not really clear why only in some software solutions Adobe allows decimal places in colour definitions. But InDesign is clearly more important here than Photoshop and Illustrator; possibly because it is the last software in the production chain that has to merge data from different sources, and so the highest requirements apply here.
The import of ASE colour swatch data was not accelerated, the 2040 colour swatches of the freieFarbe e.V. CIELABHLC Colour Atlas take almost 2 minutes even on a current Macbook Pro. But the colour swatches are now displayed with full decimal values; a real improvement for the user who also needs high-precision colour data.
Adobe InDesign 2019 Import of freieFarbe CIELAB HLC Colour Atlas ASE colour values in LAB
After Eddy Hagen pointed out in this posts, that there were some major colour deviations between the brand new PANTONE Solid Coated Guide 2023 and the previous version especially for the PANTONE 2635 C, I was curious to lookup the same colours in the new PANTONE Color Bridge Coated Guide of 2023 and compare the colours with the previous version. I measured a dE00 of 8,15 between the two colours that Eddy mentioned, which is really far apart from how accurate PANTONE colours should match between the different PANTONE guides. … read more
From now on, it’s much easier and faster: in the Proof Shop, you can call up and reorder entire orders or individual proofs directly from your order history. This saves you from having to re-enter every detail and gives you the assurance that all settings will be exactly the same as last time. With just a few clicks, your proofs are reordered – reliably, easily and in no time at all. What exactly is new? You can find your order history in your customer account. There are two new options … read more
Today I received an email in which PANTONE asked how it should orientate its products and services in the future. The users were asked which countries, industries and company sizes they come from, but also what PANTONE products should look like in the future and what customers would be prepared to pay for PANTONE services in the future. Question: How much can PANTONE services cost? PANTONE appears to be orientating itself on the PANTONE Connect prices: All price queries have the lowest price category < $ 7,- / month, i.e. … read more
Adobe products are ideal for image retouching and layout and handle RGB and CMYK colour profiles very well. However, when editing and retouching grayscale images, for example for a black-and-white photo book, the experience is quite different. Suddenly, images look completely different in InDesign than they do in Photoshop, and even when exporting the image to PDF, greyscale images are suddenly treated differently. This article explains where the problems lie with black-and-white images and greyscale profiles in InDesign and Photoshop layouts, and how you can work in a more ‘colour-accurate’ … read more
Whether it’s a large global corporation or a small company, the following often applies to designs or redesigns today: we develop everything for digital first.
In recent years, various problems have arisen with our previous proof paper supplier. On the one hand, we sometimes had to wait more than three months for paper deliveries; on the other hand, we sometimes had significant problems with batch-to-batch discrepancies, surface defects and much more. After lengthy deliberations, we decided in December to replace all the paper. We therefore received pallets of new paper at the turn of the year, which we are now gradually incorporating into our production. There will be no hard cut, but the new papers … read more
In recent weeks, there have been lengthy discussions on the Fogra digital printing mailing list as to whether a research project should be launched to define standardised tonal value gradations for spot colours. What is this all about? In the field of CMYK and seven-colour printing, the definition of clear, printable and proofable standards is well established and has been tried and tested in practice. If the paper or paper class is known and defined, a measuring standard such as M0/M1/M2 has been established and the content of optical brighteners … read more
A few days ago Proof GmbH was the first company to be certified for proofing for the new 7C exchange colour space FOGRA55. Fogra has developed characterisation data for extended multicolour printing with the printing colours CMYKOGV – i.e. cyan, magenta, yellow, black (contrast), orange, green and violet – FOGRA55 as part of a research project over the past few years. The characterisation data and the ICC profile Ref-ECG-CMYKOGV_FOGRA55_TAC300.icc have been published on the Fogra website in recent weeks. We have now carried out the certification via GMG ColorProof, as … read more
Anyone who has reinstalled or updated their i1 Profiler app in the last few weeks has been confronted with disturbing news: X-Rite announced directly in the start window that it would no longer support its enormously popular i1Display and i1Pro2 devices. Users of the i1Pro 2 devices and i1iO 2 tables, which are extremely popular in printing and colour management, will be particularly hard hit by the announcement: An investment of €6,000 is quickly consigned to the electronic scrap heap. But what can you do if you own such a … read more
A new generation of colour measuring devices is entering the market: in contrast to the classic measuring devices, which are available as a fully encapsulated system either as a colourimeter or as a spectrophotometer, and then supply the data to a computer via an interface or app or display it directly, the new generation of colour measuring devices consist only of lighting and software, with the optics of a modern iPhone from Apple being used as the sensor. Until now, there have been two categories of measuring devices on the … read more