An LED is a ‘light-emitting diode’ and in the graphics industry stands for the new ‘LED’ light, which has replaced older light sources such as neon tubes and tungsten lamps. Neon tubes are mainly known from the area of D50 or D65 standard light, while tungsten light sources were mainly used in colour measuring devices such as spectrophotometers and colourimeters. Today, LED light sources are predominantly used for both standard light and colour measurement light, as they can be better spectrally adapted and often emit a more harmonious light spectrum, especially than neon light.
In modern standardised lighting, it is possible not only to set up standardised light for one type of light, such as D50, but also to simulate D50, D65, incandescent light and much more using several spectrally different LED lines by dimming and mixing the spectra differently in one lamp. In addition, the LED luminaires can often be dimmed, which was not possible with neon tubes.
LED light sources are also used in measuring devices, where several LED units are also often used, often including one for UV light in order to be able to offer a defined proportion of UV in the light.
What the industry is still waiting for are cost-effective standardised LED retrofit solutions, but these are unlikely to be long in coming. As the big players such as JUST Normlicht and GTI have dominated the market up to now, only expensive retrofits of the entire lighting unit have been offered instead of removing the old neon tubes and replacing them with new LED tubes in the same housing. At JUST, for example, replacing a small standard lighting unit with four tubes costs several thousand euros, as a completely new unit is used here and the old one has to be disposed of. Today, specialised smaller companies such as Lacuna Solutions can also offer modern and innovative, controllable standard light luminaires for new standard lighting solutions.
Today, however, LED light sources with a colour rendering index of over 98 are also available on the market, so it seems to be only a matter of time before LED retrofit solutions for D50 and D65 standard light will also be available here for the slim replacement of old standard light tubes while retaining the reflectors.
Today I received an email in which PANTONE asked how it should orientate its products and services in the future. The users were asked which countries, industries and company sizes they come from, but also what PANTONE products should look like in the future and what customers would be prepared to pay for PANTONE services in the future. Question: How much can PANTONE services cost? PANTONE appears to be orientating itself on the PANTONE Connect prices: All price queries have the lowest price category < $ 7,- / month, i.e. … read more
A new generation of colour measuring devices is entering the market: in contrast to the classic measuring devices, which are available as a fully encapsulated system either as a colourimeter or as a spectrophotometer, and then supply the data to a computer via an interface or app or display it directly, the new generation of colour measuring devices consist only of lighting and software, with the optics of a modern iPhone from Apple being used as the sensor. Until now, there have been two categories of measuring devices on the … read more
After Eddy Hagen pointed out in this posts, that there were some major colour deviations between the brand new PANTONE Solid Coated Guide 2023 and the previous version especially for the PANTONE 2635 C, I was curious to lookup the same colours in the new PANTONE Color Bridge Coated Guide of 2023 and compare the colours with the previous version. I measured a dE00 of 8,15 between the two colours that Eddy mentioned, which is really far apart from how accurate PANTONE colours should match between the different PANTONE guides. … read more
Digimarc is a digital watermark that can be used to embed information in images, videos or other media. Digimarc watermarks are invisible to the human eye, but remain recognisable to special software or devices. Digimarc is becoming increasingly popular in the packaging sector in particular, as this technology allows the digits of the EAN barcode and more to be applied invisibly to all areas of the packaging. Digimarc and EAN barcode at the supermarket checkout When scanning at the checkout, the checkout staff do not have to search for the … read more
The most important colour management event takes place every two years in Munich: the Fogra Colour Management Symposium. Once again this year, all professionals are invited to make the pilgrimage to Munich: two days of lectures, discussions and a Bavarian evening await participants. Matthias Betz, owner of proof.de, will also be there again: for many years, he has been taking advantage of the opportunity to exchange ideas with colleagues and friends, learn about new technologies, hardware and software, and talk to colleagues from Fogra, freieFarbe, GMG and many more. In … read more
This year we once again created proofs for Fogra certification and sent them to Munich-Aschheim for testing. With these proof prints, which we print according to three different proof standards and on three different papers, we point out that we not only deliver excellent proof quality through internal quality controls and checks, but that the quality of our proofs is also measured and confirmed by external experts. We have now had test prints certified by Fogra for the 12th time. We have also been “Spot-cert” certified for the display of … read more
From now on you can order proofs for metal decor printing on white sheet metal at proof.de: The ICC profile for Fogra60 is Metal-Printing_MPC1_FOGRA60.icc
Adobe products are ideal for image retouching and layout and handle RGB and CMYK colour profiles very well. However, when editing and retouching grayscale images, for example for a black-and-white photo book, the experience is quite different. Suddenly, images look completely different in InDesign than they do in Photoshop, and even when exporting the image to PDF, greyscale images are suddenly treated differently. This article explains where the problems lie with black-and-white images and greyscale profiles in InDesign and Photoshop layouts, and how you can work in a more ‘colour-accurate’ … read more
At long last, we are able to fulfil a request made by many of our customers: from now on, you can register two email addresses in the Proof Shop – one for logging in and receiving status or tracking emails, and a separate one solely for receiving digital PDF invoices. Over the past few years, we have already switched many Proof customers to digital invoicing at their request, i.e. we generated a PDF invoice and then sent it manually to a second email address on file with us in the … read more
Several errors have crept into the new PANTONE 2023 fan decks. In both the PANTONE Solid Coated and the Solid Uncoated color fans, there are colours for which the new ink formulations are incorrect. In the PANTONE Formula Guide Solid Coated fan 2023, PANTONE 107 C and PANTONE 108 C have absolutely identical ink recipes, as well as PANTONE 113 C and PANTONE 114 C. As the colors differ, this cannot be the correct. Several errors in the PANTONE Solid Uncoated fan 2023 In the PANTONE Solid Uncoated fan 2023 … read more