An LED is a ‘light-emitting diode’ and in the graphics industry stands for the new ‘LED’ light, which has replaced older light sources such as neon tubes and tungsten lamps. Neon tubes are mainly known from the area of D50 or D65 standard light, while tungsten light sources were mainly used in colour measuring devices such as spectrophotometers and colourimeters. Today, LED light sources are predominantly used for both standard light and colour measurement light, as they can be better spectrally adapted and often emit a more harmonious light spectrum, especially than neon light.
In modern standardised lighting, it is possible not only to set up standardised light for one type of light, such as D50, but also to simulate D50, D65, incandescent light and much more using several spectrally different LED lines by dimming and mixing the spectra differently in one lamp. In addition, the LED luminaires can often be dimmed, which was not possible with neon tubes.
LED light sources are also used in measuring devices, where several LED units are also often used, often including one for UV light in order to be able to offer a defined proportion of UV in the light.
What the industry is still waiting for are cost-effective standardised LED retrofit solutions, but these are unlikely to be long in coming. As the big players such as JUST Normlicht and GTI have dominated the market up to now, only expensive retrofits of the entire lighting unit have been offered instead of removing the old neon tubes and replacing them with new LED tubes in the same housing. At JUST, for example, replacing a small standard lighting unit with four tubes costs several thousand euros, as a completely new unit is used here and the old one has to be disposed of. Today, specialised smaller companies such as Lacuna Solutions can also offer modern and innovative, controllable standard light luminaires for new standard lighting solutions.
Today, however, LED light sources with a colour rendering index of over 98 are also available on the market, so it seems to be only a matter of time before LED retrofit solutions for D50 and D65 standard light will also be available here for the slim replacement of old standard light tubes while retaining the reflectors.
This year we once again created proofs for Fogra certification and sent them to Munich-Aschheim for testing. With these proof prints, which we print according to three different proof standards and on three different papers, we point out that we not only deliver excellent proof quality through internal quality controls and checks, but that the quality of our proofs is also measured and confirmed by external experts. We have now had test prints certified by Fogra for the 12th time. We have also been “Spot-cert” certified for the display of … read more
Peter Jäger is an expert in colour management that reliably works across the boundaries of printers and monitors, web and print – essentially: cross-media.
A new generation of colour measuring devices is entering the market: in contrast to the classic measuring devices, which are available as a fully encapsulated system either as a colourimeter or as a spectrophotometer, and then supply the data to a computer via an interface or app or display it directly, the new generation of colour measuring devices consist only of lighting and software, with the optics of a modern iPhone from Apple being used as the sensor. Until now, there have been two categories of measuring devices on the … read more
In the current issue of Fogra News “Fogra Aktuell” Proof GmbH is involved in two places. Firstly, a summary of the Fogra report on our first FOGRA55 certification for seven-colour printing with extended colour space in CMYKOGV appeared. You can also find more information on our FOGRA55 certification on the Fogra website: https://fogra.org/en/press-releases/fogracert-erste-cpc-zertifizierung-fuer-fogra55-cmykogv-330 and on proofing.de: And secondly, there was a report on the completion of the research project for textile digital printing, FOGRA58, in which we were allowed to investigate and test the proof capability of the new textile … read more
From now on, it’s much easier and faster: in the Proof Shop, you can call up and reorder entire orders or individual proofs directly from your order history. This saves you from having to re-enter every detail and gives you the assurance that all settings will be exactly the same as last time. With just a few clicks, your proofs are reordered – reliably, easily and in no time at all. What exactly is new? You can find your order history in your customer account. There are two new options … read more
Adobe products are ideal for image retouching and layout and handle RGB and CMYK colour profiles very well. However, when editing and retouching grayscale images, for example for a black-and-white photo book, the experience is quite different. Suddenly, images look completely different in InDesign than they do in Photoshop, and even when exporting the image to PDF, greyscale images are suddenly treated differently. This article explains where the problems lie with black-and-white images and greyscale profiles in InDesign and Photoshop layouts, and how you can work in a more ‘colour-accurate’ … read more
Over the last few months, we at Proof.de have been thinking about further improving our already very good colour measurement technology in terms of speed and measurement precision. Relatively quickly it became clear that only two devices would come into question: The KonicaMinolta MYIRO-9, the successor of the former FD-9, or the X-Rite ISIS 2 XL. The starting point: Since we at Proof GmbH have 5 proofing devices, the calibration of targets for profile optimisation is a time-critical undertaking for us. Therefore, we had been looking around for an upgrade of … read more
From now on you can order proofs for metal decor printing on white sheet metal at proof.de: The ICC profile for Fogra60 is Metal-Printing_MPC1_FOGRA60.icc
Even almost 9 years after the introduction of the successor colour space PSOCoatedV3, ISOCoatedV2 / FOGRA39 is still the most widespread colour space in Europe. We at Proof GmbH count around 200 jobs from time to time for the German Printing and Media Industries Federation, among others. In the last count, proofs in ISOCoatedV2 accounted for around 68% of all proof jobs at our company. This is a clear sign of the continued widespread use of the colour space. ISOCoatedV2: From the classic colour space to the beacon of the … read more
Today I received an email in which PANTONE asked how it should orientate its products and services in the future. The users were asked which countries, industries and company sizes they come from, but also what PANTONE products should look like in the future and what customers would be prepared to pay for PANTONE services in the future. Question: How much can PANTONE services cost? PANTONE appears to be orientating itself on the PANTONE Connect prices: All price queries have the lowest price category < $ 7,- / month, i.e. … read more