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Epson launches new generation of proof printers SureColor SC-P9500
In late 2019, Epson will present its new generation of proof printers: the Epson SureColor SC-P9500 and SC-P7500 proof printers.
Epson has incorporated many improvements into the new printer generation. For example, fully loaded print heads now work in the new printers, which can finally handle photo black, matt black and the two grey tones LightGray and LightLightGray as well as the colours orange, green and violet simultaneously in one print head. For cyan and magenta there are also the light variants light-cyan and light-magenta, so that besides yellow, cyan and magenta, 12 full colours are available in the print head. The printer uses the new UltraChrome Pro12 ink set, which could possibly bring some detail improvements to the classic K3 inks, although nothing more is known about this yet.
The newly developed print head now contains 800 jets per colour, which is likely to have a major impact on the speed of the printer. However, due to the more than four times as many jets, this should increase considerably; in practice, the P9500 should be around 2.4 times faster than the P9000V. At first glance, this seems a lot, but since the Spectroproofer and ILS-30 will be adopted unchanged, the speed advantage should have little effect on a DIN A4 proof with media wedge and test report: The gross printing time of about 8 minutes consists here only in the least of the printing time, drying, measuring, rewinding back and forth of the print template and the printing of the media wedge take up the most time, and they remain unchanged. But those who print 8 square metres of proof prints in one piece from the device or measure and verify the media wedges externally will be very happy about the increase in speed.
According to Epson, the “Black Enhancement Overcoating Technology” is supposed to provide higher black densities. Which of this affects the EFI print media remains to be seen and measured.
One thing is clear: Many technical details remain the same, but some things also sound really interesting and improved and to be honest: Already the “old” previous versions of the 9900/7900 and 900V/7000V generation from Epson were excellent printers … as long as they were not affected by the classic Epson evils like clogged jets, streaky printouts and hardware crashes.
What else is there: A new touch display, a useless roll control window, a new print output, which probably doesn’t make anything better, a lighting of the printing unit, which we always wished for and have already solved differently for us … we’ll see: We will certainly be among the first to receive the printer in Europe again and then report on our practical experiences with the new Epson proof printer flagship …
Peter Jäger is an expert in colour management that reliably works across the boundaries of printers and monitors, web and print – essentially: cross-media.
After Eddy Hagen pointed out in this posts, that there were some major colour deviations between the brand new PANTONE Solid Coated Guide 2023 and the previous version especially for the PANTONE 2635 C, I was curious to lookup the same colours in the new PANTONE Color Bridge Coated Guide of 2023 and compare the colours with the previous version. I measured a dE00 of 8,15 between the two colours that Eddy mentioned, which is really far apart from how accurate PANTONE colours should match between the different PANTONE guides. … read more
RGBcolour spaces are colour systems that represent different hues with the three primary colours red, green and blue. RGB colour spaces are used in digital image processing, photography and computer technology to precisely define colours. The most important RGB colour spaces and their special features are: sRGB sRGB is the most widely used RGB colour space and is used by most monitors, printers and digital cameras. It was developed by HP and Microsoft in the 1990s to create a standard for colour representation on the internet and on various … read more
In recent years, various problems have arisen with our previous proof paper supplier. On the one hand, we sometimes had to wait more than three months for paper deliveries; on the other hand, we sometimes had significant problems with batch-to-batch discrepancies, surface defects and much more. After lengthy deliberations, we decided in December to replace all the paper. We therefore received pallets of new paper at the turn of the year, which we are now gradually incorporating into our production. There will be no hard cut, but the new papers … read more
In this short image video we – the Proof GmbH – introduce us and our work. Find out who we are and what drives us. What do you think of our short film?
From now on you can order proofs for metal decor printing on white sheet metal at proof.de: The ICC profile for Fogra60 is Metal-Printing_MPC1_FOGRA60.icc
A new generation of colour measuring devices is entering the market: in contrast to the classic measuring devices, which are available as a fully encapsulated system either as a colourimeter or as a spectrophotometer, and then supply the data to a computer via an interface or app or display it directly, the new generation of colour measuring devices consist only of lighting and software, with the optics of a modern iPhone from Apple being used as the sensor. Until now, there have been two categories of measuring devices on the … read more
Several errors have crept into the new PANTONE 2023 fan decks. In both the PANTONE Solid Coated and the Solid Uncoated color fans, there are colours for which the new ink formulations are incorrect. In the PANTONE Formula Guide Solid Coated fan 2023, PANTONE 107 C and PANTONE 108 C have absolutely identical ink recipes, as well as PANTONE 113 C and PANTONE 114 C. As the colors differ, this cannot be the correct. Several errors in the PANTONE Solid Uncoated fan 2023 In the PANTONE Solid Uncoated fan 2023 … read more
Adobe products are ideal for image retouching and layout and handle RGB and CMYKcolour profiles very well. However, when editing and retouching grayscale images, for example for a black-and-white photo book, the experience is quite different. Suddenly, images look completely different in InDesign than they do in Photoshop, and even when exporting the image to PDF, greyscale images are suddenly treated differently. This article explains where the problems lie with black-and-white images and greyscale profiles in InDesign and Photoshop layouts, and how you can work in a more ‘colour-accurate’ … read more
In recent weeks, there have been lengthy discussions on the Fogra digital printing mailing list as to whether a research project should be launched to define standardised tonal value gradations for spot colours. What is this all about? In the field of CMYK and seven-colour printing, the definition of clear, printable and proofable standards is well established and has been tried and tested in practice. If the paper or paper class is known and defined, a measuring standard such as M0/M1/M2 has been established and the content of optical brighteners … read more