The portal for colour binding proofs, colour proofs, digital proofs, online proofs. Compact knowledge on colour management, graphics, measuring technology & more.
At long last, we are able to fulfil a request made by many of our customers: from now on, you can register two email addresses in the Proof Shop – one for logging in and receiving status or tracking emails, and a separate one solely for receiving digital PDF invoices.
Over the past few years, we have already switched many Proof customers to digital invoicing at their request, i.e. we generated a PDF invoice and then sent it manually to a second email address on file with us in the shop.
With the new invoice email, we will now be discontinuing the sending of printed invoices altogether. With immediate effect, you will therefore always receive your proof invoice automatically by email, either to your login email address or to a separate billing address, if you have provided one.
Can’t find your invoice? Simply log in and download it
And if you’ve ever deleted an invoice email or can no longer find it: when you log in to our shop, you’ll see all your previous orders directly in your account overview, and next to each order there’s a PDF icon where the invoice for that order is available to download. There you’ll also find the ‘Order everything again’ function, which allows you to easily duplicate an order. If you need to send a set of proofs to two different addresses, you can simply duplicate the first order and then enter a second delivery address for the second order.
At long last, we are able to fulfil a request made by many of our customers: from now on, you can register two email addresses in the Proof Shop – one for logging in and receiving status or tracking emails, and a separate one solely for receiving digital PDF invoices. Over the past few years, we have already switched many Proof customers to digital invoicing at their request, i.e. we generated a PDF invoice and then sent it manually to a second email address on file with us in the … read more
In the current issue of Fogra News “Fogra Aktuell” Proof GmbH is involved in two places. Firstly, a summary of the Fogra report on our first FOGRA55 certification for seven-colour printing with extended colour space in CMYKOGV appeared. You can also find more information on our FOGRA55 certification on the Fogra website: https://fogra.org/en/press-releases/fogracert-erste-cpc-zertifizierung-fuer-fogra55-cmykogv-330 and on proofing.de: And secondly, there was a report on the completion of the research project for textile digital printing, FOGRA58, in which we were allowed to investigate and test the proof capability of the new textile … read more
A few days ago Proof GmbH was the first company to be certified for proofing for the new 7C exchange colour space FOGRA55. Fogra has developed characterisation data for extended multicolour printing with the printing colours CMYKOGV – i.e. cyan, magenta, yellow, black (contrast), orange, green and violet – FOGRA55 as part of a research project over the past few years. The characterisation data and the ICC profile Ref-ECG-CMYKOGV_FOGRA55_TAC300.icc have been published on the Fogra website in recent weeks. We have now carried out the certification via GMG ColorProof, as … read more
Digimarc is a digital watermark that can be used to embed information in images, videos or other media. Digimarc watermarks are invisible to the human eye, but remain recognisable to special software or devices. Digimarc is becoming increasingly popular in the packaging sector in particular, as this technology allows the digits of the EANbarcode and more to be applied invisibly to all areas of the packaging. Digimarc and EAN barcode at the supermarket checkout When scanning at the checkout, the checkout staff do not have to search for the … read more
A new generation of colour measuring devices is entering the market: in contrast to the classic measuring devices, which are available as a fully encapsulated system either as a colourimeter or as a spectrophotometer, and then supply the data to a computer via an interface or app or display it directly, the new generation of colour measuring devices consist only of lighting and software, with the optics of a modern iPhone from Apple being used as the sensor. Until now, there have been two categories of measuring devices on the … read more
Several errors have crept into the new PANTONE 2023 fan decks. In both the PANTONE Solid Coated and the Solid Uncoated color fans, there are colours for which the new ink formulations are incorrect. In the PANTONE Formula Guide Solid Coated fan 2023, PANTONE 107 C and PANTONE 108 C have absolutely identical ink recipes, as well as PANTONE 113 C and PANTONE 114 C. As the colors differ, this cannot be the correct. Several errors in the PANTONE Solid Uncoated fan 2023 In the PANTONE Solid Uncoated fan 2023 … read more
Adobe products are ideal for image retouching and layout and handle RGB and CMYK colour profiles very well. However, when editing and retouching grayscale images, for example for a black-and-white photo book, the experience is quite different. Suddenly, images look completely different in InDesign than they do in Photoshop, and even when exporting the image to PDF, greyscale images are suddenly treated differently. This article explains where the problems lie with black-and-white images and greyscale profiles in InDesign and Photoshop layouts, and how you can work in a more ‘colour-accurate’ … read more
After Eddy Hagen pointed out in this posts, that there were some major colour deviations between the brand new PANTONE Solid Coated Guide 2023 and the previous version especially for the PANTONE 2635 C, I was curious to lookup the same colours in the new PANTONE Color Bridge Coated Guide of 2023 and compare the colours with the previous version. I measured a dE00 of 8,15 between the two colours that Eddy mentioned, which is really far apart from how accurate PANTONE colours should match between the different PANTONE guides. … read more
In recent years, various problems have arisen with our previous proof paper supplier. On the one hand, we sometimes had to wait more than three months for paper deliveries; on the other hand, we sometimes had significant problems with batch-to-batch discrepancies, surface defects and much more. After lengthy deliberations, we decided in December to replace all the paper. We therefore received pallets of new paper at the turn of the year, which we are now gradually incorporating into our production. There will be no hard cut, but the new papers … read more
Having missed last year’s annual conference in Dresden at the last minute due to illness, I am all the more delighted to be attending this year’s event in Darmstadt. The programme is once again very exciting and varied! I’m particularly looking forward to Dr Andreas Kraushaar’s workshop ‘Measuring in Images’, the HDR lecture by Prof. Dipl.-Ing. Florian Süßl, and the insights into ‘Perzabsolut’ from Dr Moritz Feil. As we discovered at the last Colour Management Symposium in Munich, Moritz Feil – whilst working at the Technical University of Munich – … read more