Recently we received a PDF file from a Swiss customer who asked us to proof it according to ISOCoatedV2. The format was PDFX-4, we could open the file, preflight it and also display it in Acrobat. However, when proofing in Fiery XF 5.2, the file was only output after a RIP time of over 3 hours.
Adobe PDF X4 screen output in Acrobat Professional
We have recorded the screen layout on a modern Macbook Pro with four processor cores and the latest Acrobat Pro version to illustrate the enormous demands on computing power.
It was clear from the screen layout that the RIP time would be quite long, but three hours with just one use was quite unusual, especially since in our RIP two instances of the Adobe PDF Print Engine work simultaneously. Where exactly the error lies in the extremely high RIP time is not yet clear. Both EFI, as the manufacturer of the Fiery RIPS, and Adobe, as the manufacturer of the PDF Print Engine (APPE), have been given the information that on a Harlequin RIP the file was probably ripped within a few minutes. So a bug in the Adobe PDF Print Engine might also be a reason for the long processing time.
It’ s a typical problem. From creation programs such as InDesign and Illustrator, the flattening of file elements with X/4 is passed on to the RIP in the print shop or proof printer.
The case in question was calculated on a quad-core system with SSDs with two instances of the Adobe PDF Print Engine and output correctly for three hours 47 minutes. However, since the final product cover is not expected to be produced in Europe, but in Asia, it was decided to break down the complex graphics with transparencies, drop shadows, etc. in Photoshop and then reuse it as a transparent PSD file. The resulting PDF X/3 file was ripped and proofed within seconds. The colour result was identical to the X4 file.
This example shows: PDF X4 is not just a modified data format. It also shifts the computing power and software requirements from the data creator to the data processor or printing house. But especially with complex graphics this can lead to unpredictable effects. Although PDF X/4-capable solutions such as Fiery XF 5.2 do exist today, a RIP time of over three hours is of course not practical.
Peter Jäger is an expert in colour management that reliably works across the boundaries of printers and monitors, web and print – essentially: cross-media.
In recent years, various problems have arisen with our previous proof paper supplier. On the one hand, we sometimes had to wait more than three months for paper deliveries; on the other hand, we sometimes had significant problems with batch-to-batch discrepancies, surface defects and much more. After lengthy deliberations, we decided in December to replace all the paper. We therefore received pallets of new paper at the turn of the year, which we are now gradually incorporating into our production. There will be no hard cut, but the new papers … read more
In the current issue of Fogra News “Fogra Aktuell” Proof GmbH is involved in two places. Firstly, a summary of the Fogra report on our first FOGRA55 certification for seven-colour printing with extended colour space in CMYKOGV appeared. You can also find more information on our FOGRA55 certification on the Fogra website: https://fogra.org/en/press-releases/fogracert-erste-cpc-zertifizierung-fuer-fogra55-cmykogv-330 and on proofing.de: And secondly, there was a report on the completion of the research project for textile digital printing, FOGRA58, in which we were allowed to investigate and test the proof capability of the new textile … read more
In recent weeks, there have been lengthy discussions on the Fogra digital printing mailing list as to whether a research project should be launched to define standardised tonal value gradations for spot colours. What is this all about? In the field of CMYK and seven-colour printing, the definition of clear, printable and proofable standards is well established and has been tried and tested in practice. If the paper or paper class is known and defined, a measuring standard such as M0/M1/M2 has been established and the content of optical brighteners … read more
Adobe products are ideal for image retouching and layout and handle RGB and CMYK colour profiles very well. However, when editing and retouching grayscale images, for example for a black-and-white photo book, the experience is quite different. Suddenly, images look completely different in InDesign than they do in Photoshop, and even when exporting the image to PDF, greyscale images are suddenly treated differently. This article explains where the problems lie with black-and-white images and greyscale profiles in InDesign and Photoshop layouts, and how you can work in a more ‘colour-accurate’ … read more
The most important colour management event takes place every two years in Munich: the Fogra Colour Management Symposium. Once again this year, all professionals are invited to make the pilgrimage to Munich: two days of lectures, discussions and a Bavarian evening await participants. Matthias Betz, owner of proof.de, will also be there again: for many years, he has been taking advantage of the opportunity to exchange ideas with colleagues and friends, learn about new technologies, hardware and software, and talk to colleagues from Fogra, freieFarbe, GMG and many more. In … read more
From now on you can order proofs for metal decor printing on white sheet metal at proof.de: The ICC profile for Fogra60 is Metal-Printing_MPC1_FOGRA60.icc
A few days ago Proof GmbH was the first company to be certified for proofing for the new 7C exchange colour space FOGRA55. Fogra has developed characterisation data for extended multicolour printing with the printing colours CMYKOGV – i.e. cyan, magenta, yellow, black (contrast), orange, green and violet – FOGRA55 as part of a research project over the past few years. The characterisation data and the ICC profile Ref-ECG-CMYKOGV_FOGRA55_TAC300.icc have been published on the Fogra website in recent weeks. We have now carried out the certification via GMG ColorProof, as … read more
RGB colour spaces are colour systems that represent different hues with the three primary colours red, green and blue. RGB colour spaces are used in digital image processing, photography and computer technology to precisely define colours. The most important RGB colour spaces and their special features are: sRGB sRGB is the most widely used RGB colour space and is used by most monitors, printers and digital cameras. It was developed by HP and Microsoft in the 1990s to create a standard for colour representation on the internet and on various … read more
Digimarc is a digital watermark that can be used to embed information in images, videos or other media. Digimarc watermarks are invisible to the human eye, but remain recognisable to special software or devices. Digimarc is becoming increasingly popular in the packaging sector in particular, as this technology allows the digits of the EAN barcode and more to be applied invisibly to all areas of the packaging. Digimarc and EAN barcode at the supermarket checkout When scanning at the checkout, the checkout staff do not have to search for the … read more