Recently we received a PDF file from a Swiss customer who asked us to proof it according to ISOCoatedV2. The format was PDFX-4, we could open the file, preflight it and also display it in Acrobat. However, when proofing in Fiery XF 5.2, the file was only output after a RIP time of over 3 hours.
Adobe PDF X4 screen output in Acrobat Professional
We have recorded the screen layout on a modern Macbook Pro with four processor cores and the latest Acrobat Pro version to illustrate the enormous demands on computing power.
It was clear from the screen layout that the RIP time would be quite long, but three hours with just one use was quite unusual, especially since in our RIP two instances of the Adobe PDF Print Engine work simultaneously. Where exactly the error lies in the extremely high RIP time is not yet clear. Both EFI, as the manufacturer of the Fiery RIPS, and Adobe, as the manufacturer of the PDF Print Engine (APPE), have been given the information that on a Harlequin RIP the file was probably ripped within a few minutes. So a bug in the Adobe PDF Print Engine might also be a reason for the long processing time.
It’ s a typical problem. From creation programs such as InDesign and Illustrator, the flattening of file elements with X/4 is passed on to the RIP in the print shop or proof printer.
The case in question was calculated on a quad-core system with SSDs with two instances of the Adobe PDF Print Engine and output correctly for three hours 47 minutes. However, since the final product cover is not expected to be produced in Europe, but in Asia, it was decided to break down the complex graphics with transparencies, drop shadows, etc. in Photoshop and then reuse it as a transparent PSD file. The resulting PDF X/3 file was ripped and proofed within seconds. The colour result was identical to the X4 file.
This example shows: PDF X4 is not just a modified data format. It also shifts the computing power and software requirements from the data creator to the data processor or printing house. But especially with complex graphics this can lead to unpredictable effects. Although PDF X/4-capable solutions such as Fiery XF 5.2 do exist today, a RIP time of over three hours is of course not practical.
After Eddy Hagen pointed out in this posts, that there were some major colour deviations between the brand new PANTONE Solid Coated Guide 2023 and the previous version especially for the PANTONE 2635 C, I was curious to lookup the same colours in the new PANTONE Color Bridge Coated Guide of 2023 and compare the colours with the previous version. I measured a dE00 of 8,15 between the two colours that Eddy mentioned, which is really far apart from how accurate PANTONE colours should match between the different PANTONE guides. … read more
In this short image video we – the Proof GmbH – introduce us and our work. Find out who we are and what drives us. What do you think of our short film?
Peter Jäger is an expert in colour management that reliably works across the boundaries of printers and monitors, web and print – essentially: cross-media.
Several errors have crept into the new PANTONE 2023 fan decks. In both the PANTONE Solid Coated and the Solid Uncoated color fans, there are colours for which the new ink formulations are incorrect. In the PANTONE Formula Guide Solid Coated fan 2023, PANTONE 107 C and PANTONE 108 C have absolutely identical ink recipes, as well as PANTONE 113 C and PANTONE 114 C. As the colors differ, this cannot be the correct. Several errors in the PANTONE Solid Uncoated fan 2023 In the PANTONE Solid Uncoated fan 2023 … read more
Even almost 9 years after the introduction of the successor colour space PSOCoatedV3, ISOCoatedV2 / FOGRA39 is still the most widespread colour space in Europe. We at Proof GmbH count around 200 jobs from time to time for the German Printing and Media Industries Federation, among others. In the last count, proofs in ISOCoatedV2 accounted for around 68% of all proof jobs at our company. This is a clear sign of the continued widespread use of the colour space. ISOCoatedV2: From the classic colour space to the beacon of the … read more
From now on you can order proofs for metal decor printing on white sheet metal at proof.de: The ICC profile for Fogra60 is Metal-Printing_MPC1_FOGRA60.icc
In recent weeks, there have been lengthy discussions on the Fogra digital printing mailing list as to whether a research project should be launched to define standardised tonal value gradations for spot colours. What is this all about? In the field of CMYK and seven-colour printing, the definition of clear, printable and proofable standards is well established and has been tried and tested in practice. If the paper or paper class is known and defined, a measuring standard such as M0/M1/M2 has been established and the content of optical brighteners … read more
From now on, it’s much easier and faster: in the Proof Shop, you can call up and reorder entire orders or individual proofs directly from your order history. This saves you from having to re-enter every detail and gives you the assurance that all settings will be exactly the same as last time. With just a few clicks, your proofs are reordered – reliably, easily and in no time at all. What exactly is new? You can find your order history in your customer account. There are two new options … read more
Adobe products are ideal for image retouching and layout and handle RGB and CMYK colour profiles very well. However, when editing and retouching grayscale images, for example for a black-and-white photo book, the experience is quite different. Suddenly, images look completely different in InDesign than they do in Photoshop, and even when exporting the image to PDF, greyscale images are suddenly treated differently. This article explains where the problems lie with black-and-white images and greyscale profiles in InDesign and Photoshop layouts, and how you can work in a more ‘colour-accurate’ … read more
Anyone who has reinstalled or updated their i1 Profiler app in the last few weeks has been confronted with disturbing news: X-Rite announced directly in the start window that it would no longer support its enormously popular i1Display and i1Pro2 devices. Users of the i1Pro 2 devices and i1iO 2 tables, which are extremely popular in printing and colour management, will be particularly hard hit by the announcement: An investment of €6,000 is quickly consigned to the electronic scrap heap. But what can you do if you own such a … read more