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Designers constantly need to be inspired to create new colour creations. Often pictures are chosen as the starting point for a new colour composition. Or there is a leading colour for which further colours must be found in order to create a harmonious colour palette.
There are several websites on the net that are perfect for such colour breakdowns and colour inspirations for graphic artists and designers. We have summarized the best of them here in an overview.
1. Adobe Color CC, formerly Adobe Kuler:
Adobe Color CC is the Adobe social colour network. Designers can test and evaluate colours and develop different colour schemes and colour combinations. These can then be downloaded directly for use in Adobe products such as Adobe Creative Suite. https://color.adobe.com
2. COLOURlovers.com
On Colourlovers, users can create colour palettes, rate them and exchange information in blogs. In addition, the site offers numerous articles on colour, shapes and much more. https://www.colourlovers.com
3. colorcombos.com
With Colorcombos, users can experiment with different colours and colour
Paletton or the Color Scheme Designer is a powerful and user-friendly colour wheel for selecting colours. Graphic designers can start right away to assemble colour collections and select basic colours. http://paletton.com
5. colr.org
Colr.org is a fun tool that allows you to quickly and easily generate colour palettes from Flickr images or your own uploaded images. Images can also be processed from other websites. http://www.colr.org
6. Pantone
Pantone is the mother of all colour pages. Not only will you find detailed information on all Pantone colours and colour fans, PantoneLIVE and MyPantone also provide community-driven services where designers can create their own palettes and get inspiration from others. http://www.pantone.de
7. HKS
HKS offers more than just the traditional colour system on its website. With the Colourmatch magazine and the design section you will find interesting articles and inspiration on the subject of colour with HKS. http://www.hks-farben.de
8. Colorspire
Colorspire is another simple tool to generate individual colour palettes. Web designers can directly view a rudimentary type of website colour scheme of the chosen colours. http://www.colorspire.com/
9. Colormunki
In colour management circles, the inexpensive measuring device is rather mocked, but the website does offer a powerful potential for designers. Colormunki is a chic and powerful colour application where designers can create colours, save colour palettes and view other designers’ palettes. There’s also a lot of background information from the X-Rite website. http://www.colormunki.com
10. Color Palette FX
Color Palette FX is also a simple and clear application for creating colour palettes based on images. Own images for palette generation can be uploaded without any problems. http://www.palettefx.com [Edit: No longer available.]
In recent weeks, there have been lengthy discussions on the Fogra digital printing mailing list as to whether a research project should be launched to define standardised tonal value gradations for spot colours. What is this all about? In the field of CMYK and seven-colour printing, the definition of clear, printable and proofable standards is well established and has been tried and tested in practice. If the paper or paper class is known and defined, a measuring standard such as M0/M1/M2 has been established and the content of optical brighteners … read more
RGBcolour spaces are colour systems that represent different hues with the three primary colours red, green and blue. RGB colour spaces are used in digital image processing, photography and computer technology to precisely define colours. The most important RGB colour spaces and their special features are: sRGB sRGB is the most widely used RGB colour space and is used by most monitors, printers and digital cameras. It was developed by HP and Microsoft in the 1990s to create a standard for colour representation on the internet and on various … read more
At long last, we are able to fulfil a request made by many of our customers: from now on, you can register two email addresses in the Proof Shop – one for logging in and receiving status or tracking emails, and a separate one solely for receiving digital PDF invoices. Over the past few years, we have already switched many Proof customers to digital invoicing at their request, i.e. we generated a PDF invoice and then sent it manually to a second email address on file with us in the … read more
A new generation of colour measuring devices is entering the market: in contrast to the classic measuring devices, which are available as a fully encapsulated system either as a colourimeter or as a spectrophotometer, and then supply the data to a computer via an interface or app or display it directly, the new generation of colour measuring devices consist only of lighting and software, with the optics of a modern iPhone from Apple being used as the sensor. Until now, there have been two categories of measuring devices on the … read more
Even almost 9 years after the introduction of the successor colour space PSOCoatedV3, ISOCoatedV2 / FOGRA39 is still the most widespread colour space in Europe. We at Proof GmbH count around 200 jobs from time to time for the German Printing and Media Industries Federation, among others. In the last count, proofs in ISOCoatedV2 accounted for around 68% of all proof jobs at our company. This is a clear sign of the continued widespread use of the colour space. ISOCoatedV2: From the classic colour space to the beacon of the … read more
Whether it’s a large global corporation or a small company, the following often applies to designs or redesigns today: we develop everything for digital first.
Adobe products are ideal for image retouching and layout and handle RGB and CMYK colour profiles very well. However, when editing and retouching grayscale images, for example for a black-and-white photo book, the experience is quite different. Suddenly, images look completely different in InDesign than they do in Photoshop, and even when exporting the image to PDF, greyscale images are suddenly treated differently. This article explains where the problems lie with black-and-white images and greyscale profiles in InDesign and Photoshop layouts, and how you can work in a more ‘colour-accurate’ … read more
Having missed last year’s annual conference in Dresden at the last minute due to illness, I am all the more delighted to be attending this year’s event in Darmstadt. The programme is once again very exciting and varied! I’m particularly looking forward to Dr Andreas Kraushaar’s workshop ‘Measuring in Images’, the HDR lecture by Prof. Dipl.-Ing. Florian Süßl, and the insights into ‘Perzabsolut’ from Dr Moritz Feil. As we discovered at the last Colour Management Symposium in Munich, Moritz Feil – whilst working at the Technical University of Munich – … read more
A few days ago Proof GmbH was the first company to be certified for proofing for the new 7C exchange colour space FOGRA55. Fogra has developed characterisation data for extended multicolour printing with the printing colours CMYKOGV – i.e. cyan, magenta, yellow, black (contrast), orange, green and violet – FOGRA55 as part of a research project over the past few years. The characterisation data and the ICC profile Ref-ECG-CMYKOGV_FOGRA55_TAC300.icc have been published on the Fogra website in recent weeks. We have now carried out the certification via GMG ColorProof, as … read more
After Eddy Hagen pointed out in this posts, that there were some major colour deviations between the brand new PANTONE Solid Coated Guide 2023 and the previous version especially for the PANTONE 2635 C, I was curious to lookup the same colours in the new PANTONE Color Bridge Coated Guide of 2023 and compare the colours with the previous version. I measured a dE00 of 8,15 between the two colours that Eddy mentioned, which is really far apart from how accurate PANTONE colours should match between the different PANTONE guides. … read more