Recently, Fogra provided the first web offset printing condition based on the new ISO 12647-2:2013 with the printing condition FOGRA54. Fogra 54 describes standardised offset printing in AM screen (48-70’cm) on supercalendered B-substance material (SC-B) with mineral oil-free printing inks.
The ECI writes: “Mainly due to paper differences, the printing condition on today’s SC-B paper types no longer matches the characterization data set FOGRA40 and the profile »SC paper (ECI)«. As a consequence, when printing on SC-B paper, printers face significant problems to achieve the ink solid aim values of »FOGRA40« and the higher saturated colour appearance of »SC Paper« proof prints. In addition new aim values, especially new dot gain curves of the international printing standard ISO12647-2:2013) are reflected in the new printing condition.
Proofs according to PSO SC-B Paper v3 can now be ordered directly from our shop.
PSO SC-B Paper v3
Profile: PSOsc-b_paper_v3_FOGRA54.icc
SC-B Paper, Super calendered Papier, calendered
Paper: Commercial offset, SC-B paper (super-calendered, satin), printing condition PC6
Tone value increase curve 2013-B, white measurement base.
Characterisation Data: FOGRA54
From now on you can order proofs for metal decor printing on white sheet metal at proof.de: The ICC profile for Fogra60 is Metal-Printing_MPC1_FOGRA60.icc
Whether it’s a large global corporation or a small company, the following often applies to designs or redesigns today: we develop everything for digital first.
A new generation of colour measuring devices is entering the market: in contrast to the classic measuring devices, which are available as a fully encapsulated system either as a colourimeter or as a spectrophotometer, and then supply the data to a computer via an interface or app or display it directly, the new generation of colour measuring devices consist only of lighting and software, with the optics of a modern iPhone from Apple being used as the sensor. Until now, there have been two categories of measuring devices on the … read more
Peter Jäger is an expert in colour management that reliably works across the boundaries of printers and monitors, web and print – essentially: cross-media.
In this short image video we – the Proof GmbH – introduce us and our work. Find out who we are and what drives us. What do you think of our short film?
In recent years, various problems have arisen with our previous proof paper supplier. On the one hand, we sometimes had to wait more than three months for paper deliveries; on the other hand, we sometimes had significant problems with batch-to-batch discrepancies, surface defects and much more. After lengthy deliberations, we decided in December to replace all the paper. We therefore received pallets of new paper at the turn of the year, which we are now gradually incorporating into our production. There will be no hard cut, but the new papers … read more
Anyone who has reinstalled or updated their i1 Profiler app in the last few weeks has been confronted with disturbing news: X-Rite announced directly in the start window that it would no longer support its enormously popular i1Display and i1Pro2 devices. Users of the i1Pro 2 devices and i1iO 2 tables, which are extremely popular in printing and colour management, will be particularly hard hit by the announcement: An investment of €6,000 is quickly consigned to the electronic scrap heap. But what can you do if you own such a … read more
Adobe products are ideal for image retouching and layout and handle RGB and CMYK colour profiles very well. However, when editing and retouching greyscale images, for example for a black-and-white photo book, the experience is quite different. Suddenly, images look completely different in InDesign than they do in Photoshop, and even when exporting the image to PDF, greyscale images are suddenly treated differently. This article explains where the problems lie with black-and-white images and greyscale profiles in InDesign and Photoshop layouts, and how you can work in a more ‘colour-accurate’ … read more
Even almost 9 years after the introduction of the successor colour space PSOCoatedV3, ISOCoatedV2 / FOGRA39 is still the most widespread colour space in Europe. We at Proof GmbH count around 200 jobs from time to time for the German Printing and Media Industries Federation, among others. In the last count, proofs in ISOCoatedV2 accounted for around 68% of all proof jobs at our company. This is a clear sign of the continued widespread use of the colour space. ISOCoatedV2: From the classic colour space to the beacon of the … read more
Digimarc is a digital watermark that can be used to embed information in images, videos or other media. Digimarc watermarks are invisible to the human eye, but remain recognisable to special software or devices. Digimarc is becoming increasingly popular in the packaging sector in particular, as this technology allows the digits of the EAN barcode and more to be applied invisibly to all areas of the packaging. Digimarc and EAN barcode at the supermarket checkout When scanning at the checkout, the checkout staff do not have to search for the … read more