In current colour research, the term ‘appearance’ refers to the perceived colour of an object or surface under different lighting conditions and in different environments. Appearance is about how colours are perceived visually by people and how they are influenced by the properties of light, surface texture and other environmental factors.
1. Colour perception under variable conditions
- Light source: The type of light source (e.g. daylight, light bulb, LED) strongly influences the perceived colour of an object. Different light sources have different spectral distributions, which can influence the colour rendering.
- Ambient conditions: The environment in which an object is located, such as the room background or neighbouring colours, can greatly change the appearance of the colour.
2. Metamerism
- Metamerism refers to the phenomenon where two objects can look the same under one light source but look different under another light source. This occurs when the spectral reflectance properties of the objects are similar but not identical.
3. Colour consistency
- Colour constancy describes the ability of the eye to perceive the colour of an object relatively consistently regardless of changes in lighting or the environment. This is an important mechanism that ensures that we can consistently identify objects under different lighting conditions.
4. Surface properties
- The nature of a surface, such as gloss, texture or translucency, also influences the appearance of the colour. Glossy surfaces can reflect light differently than matt surfaces, resulting in different visual impressions.
In colour research, ‘appearance’ therefore describes the complex interaction between light, surfaces and the visual system that determines the appearance of colours. It is a multidisciplinary field of research that includes both physical and psychological aspects of colour perception in order to develop a comprehensive understanding of the visual world.
And why does this field of research exist? A very classic example:
Customer question: Is the same colour on a proof different on a glossy, matt and satin glossy proof paper?
My answer:
Two answers:
1) No: For printing according to ISOCoatedV2, the specification states: ‘Glossy or matt coated image printing paper >80gr/sqm …’, so you can already see here that matt and glossy are synonymous. The geometry of colour measurement technology in the printing industry (45/0/2°) also eliminates any gloss effect in terms of measurement technology, so high-gloss and super matt are also identical in terms of measurement technology.
2) Yes: In terms of colour perception by the human eye, identical colours can certainly have different effects due to the different reflections of matt and glossy surfaces. And: If you take the gloss into account metrologically (for example with a ball-head measuring device (d8° instead of 45/0/2°), then the colour would of course be measured differently for matt and glossy. However, this is not how the printing industry currently measures colour.
From now on, it’s much easier and faster: in the Proof Shop, you can call up and reorder entire orders or individual proofs directly from your order history. This saves you from having to re-enter every detail and gives you the assurance that all settings will be exactly the same as last time. With just a few clicks, your proofs are reordered – reliably, easily and in no time at all. What exactly is new? You can find your order history in your customer account. There are two new options … read more
Several errors have crept into the new PANTONE 2023 fan decks. In both the PANTONE Solid Coated and the Solid Uncoated color fans, there are colours for which the new ink formulations are incorrect. In the PANTONE Formula Guide Solid Coated fan 2023, PANTONE 107 C and PANTONE 108 C have absolutely identical ink recipes, as well as PANTONE 113 C and PANTONE 114 C. As the colors differ, this cannot be the correct. Several errors in the PANTONE Solid Uncoated fan 2023 In the PANTONE Solid Uncoated fan 2023 … read more
Digimarc is a digital watermark that can be used to embed information in images, videos or other media. Digimarc watermarks are invisible to the human eye, but remain recognisable to special software or devices. Digimarc is becoming increasingly popular in the packaging sector in particular, as this technology allows the digits of the EAN barcode and more to be applied invisibly to all areas of the packaging. Digimarc and EAN barcode at the supermarket checkout When scanning at the checkout, the checkout staff do not have to search for the … read more
Peter Jäger is an expert in colour management that reliably works across the boundaries of printers and monitors, web and print – essentially: cross-media.
This year we once again created proofs for Fogra certification and sent them to Munich-Aschheim for testing. With these proof prints, which we print according to three different proof standards and on three different papers, we point out that we not only deliver excellent proof quality through internal quality controls and checks, but that the quality of our proofs is also measured and confirmed by external experts. We have now had test prints certified by Fogra for the 12th time. We have also been “Spot-cert” certified for the display of … read more
In recent weeks, there have been lengthy discussions on the Fogra digital printing mailing list as to whether a research project should be launched to define standardised tonal value gradations for spot colours. What is this all about? In the field of CMYK and seven-colour printing, the definition of clear, printable and proofable standards is well established and has been tried and tested in practice. If the paper or paper class is known and defined, a measuring standard such as M0/M1/M2 has been established and the content of optical brighteners … read more
Today I received an email in which PANTONE asked how it should orientate its products and services in the future. The users were asked which countries, industries and company sizes they come from, but also what PANTONE products should look like in the future and what customers would be prepared to pay for PANTONE services in the future. Question: How much can PANTONE services cost? PANTONE appears to be orientating itself on the PANTONE Connect prices: All price queries have the lowest price category < $ 7,- / month, i.e. … read more
In recent years, various problems have arisen with our previous proof paper supplier. On the one hand, we sometimes had to wait more than three months for paper deliveries; on the other hand, we sometimes had significant problems with batch-to-batch discrepancies, surface defects and much more. After lengthy deliberations, we decided in December to replace all the paper. We therefore received pallets of new paper at the turn of the year, which we are now gradually incorporating into our production. There will be no hard cut, but the new papers … read more
The most important colour management event takes place every two years in Munich: the Fogra Colour Management Symposium. Once again this year, all professionals are invited to make the pilgrimage to Munich: two days of lectures, discussions and a Bavarian evening await participants. Matthias Betz, owner of proof.de, will also be there again: for many years, he has been taking advantage of the opportunity to exchange ideas with colleagues and friends, learn about new technologies, hardware and software, and talk to colleagues from Fogra, freieFarbe, GMG and many more. In … read more
From now on you can order proofs for metal decor printing on white sheet metal at proof.de: The ICC profile for Fogra60 is Metal-Printing_MPC1_FOGRA60.icc