The portal for colour binding proofs, colour proofs, digital proofs, online proofs. Compact knowledge on colour management, graphics, measuring technology & more.
Designers constantly need to be inspired to create new colour creations. Often pictures are chosen as the starting point for a new colour composition. Or there is a leading colour for which further colours must be found in order to create a harmonious colour palette.
There are several websites on the net that are perfect for such colour breakdowns and colour inspirations for graphic artists and designers. We have summarized the best of them here in an overview.
1. Adobe Color CC, formerly Adobe Kuler:
Adobe Color CC is the Adobe social colour network. Designers can test and evaluate colours and develop different colour schemes and colour combinations. These can then be downloaded directly for use in Adobe products such as Adobe Creative Suite. https://color.adobe.com
2. COLOURlovers.com
On Colourlovers, users can create colour palettes, rate them and exchange information in blogs. In addition, the site offers numerous articles on colour, shapes and much more. https://www.colourlovers.com
3. colorcombos.com
With Colorcombos, users can experiment with different colours and colour
Paletton or the Color Scheme Designer is a powerful and user-friendly colour wheel for selecting colours. Graphic designers can start right away to assemble colour collections and select basic colours. http://paletton.com
5. colr.org
Colr.org is a fun tool that allows you to quickly and easily generate colour palettes from Flickr images or your own uploaded images. Images can also be processed from other websites. http://www.colr.org
6. Pantone
Pantone is the mother of all colour pages. Not only will you find detailed information on all Pantone colours and colour fans, PantoneLIVE and MyPantone also provide community-driven services where designers can create their own palettes and get inspiration from others. http://www.pantone.de
7. HKS
HKS offers more than just the traditional colour system on its website. With the Colourmatch magazine and the design section you will find interesting articles and inspiration on the subject of colour with HKS. http://www.hks-farben.de
8. Colorspire
Colorspire is another simple tool to generate individual colour palettes. Web designers can directly view a rudimentary type of website colour scheme of the chosen colours. http://www.colorspire.com/
9. Colormunki
In colour management circles, the inexpensive measuring device is rather mocked, but the website does offer a powerful potential for designers. Colormunki is a chic and powerful colour application where designers can create colours, save colour palettes and view other designers’ palettes. There’s also a lot of background information from the X-Rite website. http://www.colormunki.com
10. Color Palette FX
Color Palette FX is also a simple and clear application for creating colour palettes based on images. Own images for palette generation can be uploaded without any problems. http://www.palettefx.com [Edit: No longer available.]
Digimarc is a digital watermark that can be used to embed information in images, videos or other media. Digimarc watermarks are invisible to the human eye, but remain recognisable to special software or devices. Digimarc is becoming increasingly popular in the packaging sector in particular, as this technology allows the digits of the EANbarcode and more to be applied invisibly to all areas of the packaging. Digimarc and EAN barcode at the supermarket checkout When scanning at the checkout, the checkout staff do not have to search for the … read more
Peter Jäger is an expert in colour management that reliably works across the boundaries of printers and monitors, web and print – essentially: cross-media.
Anyone who has reinstalled or updated their i1 Profiler app in the last few weeks has been confronted with disturbing news: X-Rite announced directly in the start window that it would no longer support its enormously popular i1Display and i1Pro2 devices. Users of the i1Pro 2 devices and i1iO 2 tables, which are extremely popular in printing and colour management, will be particularly hard hit by the announcement: An investment of €6,000 is quickly consigned to the electronic scrap heap. But what can you do if you own such a … read more
Today I received an email in which PANTONE asked how it should orientate its products and services in the future. The users were asked which countries, industries and company sizes they come from, but also what PANTONE products should look like in the future and what customers would be prepared to pay for PANTONE services in the future. Question: How much can PANTONE services cost? PANTONE appears to be orientating itself on the PANTONE Connect prices: All price queries have the lowest price category < $ 7,- / month, i.e. … read more
Over the last few months, we at Proof.de have been thinking about further improving our already very good colour measurement technology in terms of speed and measurement precision. Relatively quickly it became clear that only two devices would come into question: The KonicaMinolta MYIRO-9, the successor of the former FD-9, or the X-Rite ISIS 2 XL. The starting point: Since we at Proof GmbH have 5 proofing devices, the calibration of targets for profile optimisation is a time-critical undertaking for us. Therefore, we had been looking around for an upgrade of … read more
Several errors have crept into the new PANTONE 2023 fan decks. In both the PANTONE Solid Coated and the Solid Uncoated color fans, there are colours for which the new ink formulations are incorrect. In the PANTONE Formula Guide Solid Coated fan 2023, PANTONE 107 C and PANTONE 108 C have absolutely identical ink recipes, as well as PANTONE 113 C and PANTONE 114 C. As the colors differ, this cannot be the correct. Several errors in the PANTONE Solid Uncoated fan 2023 In the PANTONE Solid Uncoated fan 2023 … read more
In recent weeks, there have been lengthy discussions on the Fogra digital printing mailing list as to whether a research project should be launched to define standardised tonal value gradations for spot colours. What is this all about? In the field of CMYK and seven-colour printing, the definition of clear, printable and proofable standards is well established and has been tried and tested in practice. If the paper or paper class is known and defined, a measuring standard such as M0/M1/M2 has been established and the content of optical brighteners … read more
In this short image video we – the Proof GmbH – introduce us and our work. Find out who we are and what drives us. What do you think of our short film?
This year we once again created proofs for Fogra certification and sent them to Munich-Aschheim for testing. With these proof prints, which we print according to three different proof standards and on three different papers, we point out that we not only deliver excellent proof quality through internal quality controls and checks, but that the quality of our proofs is also measured and confirmed by external experts. We have now had test prints certified by Fogra for the 12th time. We have also been “Spot-cert” certified for the display of … read more
Offset and Newsprint ISO Coated v2 (ECI) / ISO Coated v2 300% (ECI) Profile: ISOcoated_v2_eci.icc Standard for glossy and matte coated paper Paper: Types 1 and 2, gloss and matte coated Tone value increase curves A (CMY) and B (K) as defined in ISO 12647-2:2004 Characterisation Data: FOGRA39L ISOUncoated Profile: ISOUncoated.icc Standard for uncoated white natural paper Paper: paper grade 4, uncoated white offset, dot gain curves C (CMY) and D (K) from ISO 12647-2: 2004 Characterisation Data: FOGRA29L PSOCoatedV3 / Fogra 51 Profile: PSOcoated_v3.icc The successor of ISOCoatedV2 for glossy … read more