Brighteners (also called optical brighteners or OBAs – Optical Brightning Agents) are chemical compounds used in the printing industry to improve the brightness and whiteness of paper. They absorb UV light and emit it as visible blue light, giving the paper a ‘brighter’ and ‘fresher’ white tone. This effect increases the brilliance of printed products, making the paper look whiter and more valuable.
Optical brighteners are used in paper production, but brighteners are also used in printing inks to increase contrast and colour intensity, particularly in photo and colour printing. Their use is particularly important in the production of high-quality printing papers and packaging, where a brilliant appearance is essential.
The most commonly used brighteners in the paper industry are stilbene brighteners, which are particularly effective at brightening paper. They are based on the stilbene basic structure. Other types are benzoxazole and triazole brighteners, which are used for special applications. Benzoxazole brighteners are often used in special applications, such as in the manufacture of transparent paper or in the textile industry. They are also effective, but their use is less common compared to stilbene compounds. Triazole brighteners are mainly used in the production of speciality papers. Each brightener has specific properties that make it suitable for different papers and applications.
One disadvantage of brighteners is that their effect can diminish over time. In addition, high concentrations can disrupt the printing process and lead to undesirable reflections or colour changes. Nevertheless, brighteners are also used for environmental reasons: they save on chemical bleach for bright white papers, which is even more harmful to the environment than the brighteners. And companies are constantly working on more sustainable, biodegradable brighteners.
Today I received an email in which PANTONE asked how it should orientate its products and services in the future. The users were asked which countries, industries and company sizes they come from, but also what PANTONE products should look like in the future and what customers would be prepared to pay for PANTONE services in the future. Question: How much can PANTONE services cost? PANTONE appears to be orientating itself on the PANTONE Connect prices: All price queries have the lowest price category < $ 7,- / month, i.e. … read more
Peter Jäger is an expert in colour management that reliably works across the boundaries of printers and monitors, web and print – essentially: cross-media.
This year we once again created proofs for Fogra certification and sent them to Munich-Aschheim for testing. With these proof prints, which we print according to three different proof standards and on three different papers, we point out that we not only deliver excellent proof quality through internal quality controls and checks, but that the quality of our proofs is also measured and confirmed by external experts. We have now had test prints certified by Fogra for the 12th time. We have also been “Spot-cert” certified for the display of … read more
Adobe products are ideal for image retouching and layout and handle RGB and CMYK colour profiles very well. However, when editing and retouching grayscale images, for example for a black-and-white photo book, the experience is quite different. Suddenly, images look completely different in InDesign than they do in Photoshop, and even when exporting the image to PDF, greyscale images are suddenly treated differently. This article explains where the problems lie with black-and-white images and greyscale profiles in InDesign and Photoshop layouts, and how you can work in a more ‘colour-accurate’ … read more
Whether it’s a large global corporation or a small company, the following often applies to designs or redesigns today: we develop everything for digital first.
From now on you can order proofs for metal decor printing on white sheet metal at proof.de: The ICC profile for Fogra60 is Metal-Printing_MPC1_FOGRA60.icc
A new generation of colour measuring devices is entering the market: in contrast to the classic measuring devices, which are available as a fully encapsulated system either as a colourimeter or as a spectrophotometer, and then supply the data to a computer via an interface or app or display it directly, the new generation of colour measuring devices consist only of lighting and software, with the optics of a modern iPhone from Apple being used as the sensor. Until now, there have been two categories of measuring devices on the … read more
A few days ago Proof GmbH was the first company to be certified for proofing for the new 7C exchange colour space FOGRA55. Fogra has developed characterisation data for extended multicolour printing with the printing colours CMYKOGV – i.e. cyan, magenta, yellow, black (contrast), orange, green and violet – FOGRA55 as part of a research project over the past few years. The characterisation data and the ICC profile Ref-ECG-CMYKOGV_FOGRA55_TAC300.icc have been published on the Fogra website in recent weeks. We have now carried out the certification via GMG ColorProof, as … read more
In recent years, various problems have arisen with our previous proof paper supplier. On the one hand, we sometimes had to wait more than three months for paper deliveries; on the other hand, we sometimes had significant problems with batch-to-batch discrepancies, surface defects and much more. After lengthy deliberations, we decided in December to replace all the paper. We therefore received pallets of new paper at the turn of the year, which we are now gradually incorporating into our production. There will be no hard cut, but the new papers … read more
Even almost 9 years after the introduction of the successor colour space PSOCoatedV3, ISOCoatedV2 / FOGRA39 is still the most widespread colour space in Europe. We at Proof GmbH count around 200 jobs from time to time for the German Printing and Media Industries Federation, among others. In the last count, proofs in ISOCoatedV2 accounted for around 68% of all proof jobs at our company. This is a clear sign of the continued widespread use of the colour space. ISOCoatedV2: From the classic colour space to the beacon of the … read more