Fluorescence is playing an increasingly important role in the printing industry, especially when it comes to special effects and security applications. By using fluorescent colours and materials, printed products can not only stand out visually, but also offer additional functions such as counterfeit protection. But what exactly is fluorescence and how is it used in the printing industry?
What is fluorescence?
Fluorescence is the property of certain substances to glow when exposed to UV light or other high-energy light sources. These substances absorb the light and emit it again in a different, usually visible wavelength. In the printing industry, special fluorescent pigments or colours are used to achieve this effect.
Areas of application in the printing industry
- Advertising technology and design: Fluorescent colours are often used in advertising technology to make posters, flyers and other printed matter particularly eye-catching. These colours glow under UV light and therefore attract more attention.
- Posters and banners: Fluorescent colours ensure better visibility, especially at night or in dark surroundings.
- Packaging: Brand manufacturers use fluorescent elements to emphasise their products on the shelf.
- Security printing: One of the most important applications of fluorescence is security printing. Here, fluorescent colours are used to make documents, banknotes or ID cards forgery-proof.
- Banknotes and ID documents: Under UV light, special fluorescent markings become visible that are difficult to reproduce.
- Tickets and certificates: Fluorescence is used to check the authenticity of tickets and certificates.
- Industry and technology: Fluorescent colours are also used in industrial applications, for example for marking or identifying products.
- Product labelling: In manufacturing, fluorescent markings can help to identify products at various stages of production.
Technical aspects
- Printing process: Fluorescent inks can be used in a variety of printing methods, including offset printing, screen printing and digital printing. Each method has its own advantages and challenges when it comes to handling the special inks.
- Offset printing: Fluorescent inks are used here in a similar way to conventional printing inks, but special care must be taken when cleaning and maintaining the printing machines.
- Screen printing: This method is particularly suitable for thicker layers of paint and brighter colours.
- Colour management: Colour management for fluorescent colours is challenging, as these colours can appear differently under normal lighting conditions than under UV light. An accurate colour profile and a good understanding of the lighting conditions are crucial here.
Fluorescence offers a wide range of possibilities in the printing industry, from eye-catching advertising materials to security-related applications. Through the targeted use of fluorescent colours, printed products can not only stand out visually, but also offer additional security features. Those who master the technical challenges and use fluorescence skilfully can take their print products to a new level – and that is exactly what the modern printing industry is all about.
Even almost 9 years after the introduction of the successor colour space PSOCoatedV3, ISOCoatedV2 / FOGRA39 is still the most widespread colour space in Europe. We at Proof GmbH count around 200 jobs from time to time for the German Printing and Media Industries Federation, among others. In the last count, proofs in ISOCoatedV2 accounted for around 68% of all proof jobs at our company. This is a clear sign of the continued widespread use of the colour space. ISOCoatedV2: From the classic colour space to the beacon of the … read more
Today I received an email in which PANTONE asked how it should orientate its products and services in the future. The users were asked which countries, industries and company sizes they come from, but also what PANTONE products should look like in the future and what customers would be prepared to pay for PANTONE services in the future. Question: How much can PANTONE services cost? PANTONE appears to be orientating itself on the PANTONE Connect prices: All price queries have the lowest price category < $ 7,- / month, i.e. … read more
Adobe products are ideal for image retouching and layout and handle RGB and CMYK colour profiles very well. However, when editing and retouching greyscale images, for example for a black-and-white photo book, the experience is quite different. Suddenly, images look completely different in InDesign than they do in Photoshop, and even when exporting the image to PDF, greyscale images are suddenly treated differently. This article explains where the problems lie with black-and-white images and greyscale profiles in InDesign and Photoshop layouts, and how you can work in a more ‘colour-accurate’ … read more
In this short image video we – the Proof GmbH – introduce us and our work. Find out who we are and what drives us. What do you think of our short film?
Peter Jäger is an expert in colour management that reliably works across the boundaries of printers and monitors, web and print – essentially: cross-media.
Over the last few months, we at Proof.de have been thinking about further improving our already very good colour measurement technology in terms of speed and measurement precision. Relatively quickly it became clear that only two devices would come into question: The KonicaMinolta MYIRO-9, the successor of the former FD-9, or the X-Rite ISIS 2 XL. The starting point: Since we at Proof GmbH have 5 proofing devices, the calibration of targets for profile optimisation is a time-critical undertaking for us. Therefore, we had been looking around for an upgrade of … read more
Offset and Newsprint ISO Coated v2 (ECI) / ISO Coated v2 300% (ECI) Profile: ISOcoated_v2_eci.icc Standard for glossy and matte coated paper Paper: Types 1 and 2, gloss and matte coated Tone value increase curves A (CMY) and B (K) as defined in ISO 12647-2:2004 Characterisation Data: FOGRA39L ISOUncoated Profile: ISOUncoated.icc Standard for uncoated white natural paper Paper: paper grade 4, uncoated white offset, dot gain curves C (CMY) and D (K) from ISO 12647-2: 2004 Characterisation Data: FOGRA29L PSOCoatedV3 / Fogra 51 Profile: PSOcoated_v3.icc The successor of ISOCoatedV2 for glossy … read more
A few days ago Proof GmbH was the first company to be certified for proofing for the new 7C exchange colour space FOGRA55. Fogra has developed characterisation data for extended multicolour printing with the printing colours CMYKOGV – i.e. cyan, magenta, yellow, black (contrast), orange, green and violet – FOGRA55 as part of a research project over the past few years. The characterisation data and the ICC profile Ref-ECG-CMYKOGV_FOGRA55_TAC300.icc have been published on the Fogra website in recent weeks. We have now carried out the certification via GMG ColorProof, as … read more
Several errors have crept into the new PANTONE 2023 fan decks. In both the PANTONE Solid Coated and the Solid Uncoated color fans, there are colours for which the new ink formulations are incorrect. In the PANTONE Formula Guide Solid Coated fan 2023, PANTONE 107 C and PANTONE 108 C have absolutely identical ink recipes, as well as PANTONE 113 C and PANTONE 114 C. As the colors differ, this cannot be the correct. Several errors in the PANTONE Solid Uncoated fan 2023 In the PANTONE Solid Uncoated fan 2023 … read more
After Eddy Hagen pointed out in this posts, that there were some major colour deviations between the brand new PANTONE Solid Coated Guide 2023 and the previous version especially for the PANTONE 2635 C, I was curious to lookup the same colours in the new PANTONE Color Bridge Coated Guide of 2023 and compare the colours with the previous version. I measured a dE00 of 8,15 between the two colours that Eddy mentioned, which is really far apart from how accurate PANTONE colours should match between the different PANTONE guides. … read more