Variable Data Printing (VDP) is a digital printing technique that makes it possible to customise individual elements within a print job. This can include text, images, graphics or even entire layouts. VDP is often used for personalised marketing materials, such as direct mail, where each printed item contains information specific to the recipient. VDP uses databases and software to control variations in the printing process, enabling a customised approach.
Application and advantages of VDP
VDP is used in many areas, including
- Marketing and advertising: Creation of personalised mailings that are directly tailored to the interests and needs of the recipient.
- Transaction printing: Customisation of invoices, account statements and other documents with specific customer data.
- Publishing: Production of personalised books or magazines that are adapted for individual readers.
- Invitations and event materials: Personalised invitations and event programmes that speak directly to the recipient.
The advantages of VDP are:
- Increased relevance: Personalisation increases the relevance of printed materials, leading to higher reader retention and better response rates.
- More effective communication: Customised messages can be communicated in a more targeted manner, which increases the effectiveness of marketing campaigns.
- Cost efficiency: Despite higher production costs per unit, the improved response rates and more targeted approach can reduce overall costs.
Why proofs are necessary for VDP
Proofs are essential in the VDP process to ensure that the personalised elements are printed correctly and consistently. Proofs help to ensure that the variable data is correctly integrated into the design. Errors in the database or layout can be recognised and corrected before final production. A proof shows exactly how the personalised elements will look in the finished print product, avoiding misunderstandings and errors.
As with conventional print jobs, colour accuracy is also crucial with VDP. Proofs make it possible to check colour reproduction and ensure that all individual elements are printed in the desired colours. This is particularly important when variable images or graphics are used, which may be available in different colour variants.
Proofs offer the customer the opportunity to check and approve the print product before final production. This gives the customer security and enables any adjustments or corrections to be made before the print job is fully executed. This ensures that the end product meets the customer’s expectations and requirements.
In recent years, various problems have arisen with our previous proof paper supplier. On the one hand, we sometimes had to wait more than three months for paper deliveries; on the other hand, we sometimes had significant problems with batch-to-batch discrepancies, surface defects and much more. After lengthy deliberations, we decided in December to replace all the paper. We therefore received pallets of new paper at the turn of the year, which we are now gradually incorporating into our production. There will be no hard cut, but the new papers … read more
From now on you can order proofs for metal decor printing on white sheet metal at proof.de: The ICC profile for Fogra60 is Metal-Printing_MPC1_FOGRA60.icc
Whether it’s a large global corporation or a small company, the following often applies to designs or redesigns today: we develop everything for digital first.
Adobe products are ideal for image retouching and layout and handle RGB and CMYK colour profiles very well. However, when editing and retouching grayscale images, for example for a black-and-white photo book, the experience is quite different. Suddenly, images look completely different in InDesign than they do in Photoshop, and even when exporting the image to PDF, greyscale images are suddenly treated differently. This article explains where the problems lie with black-and-white images and greyscale profiles in InDesign and Photoshop layouts, and how you can work in a more ‘colour-accurate’ … read more
In this short image video we – the Proof GmbH – introduce us and our work. Find out who we are and what drives us. What do you think of our short film?
Peter Jäger is an expert in colour management that reliably works across the boundaries of printers and monitors, web and print – essentially: cross-media.
After Eddy Hagen pointed out in this posts, that there were some major colour deviations between the brand new PANTONE Solid Coated Guide 2023 and the previous version especially for the PANTONE 2635 C, I was curious to lookup the same colours in the new PANTONE Color Bridge Coated Guide of 2023 and compare the colours with the previous version. I measured a dE00 of 8,15 between the two colours that Eddy mentioned, which is really far apart from how accurate PANTONE colours should match between the different PANTONE guides. … read more
Today I received an email in which PANTONE asked how it should orientate its products and services in the future. The users were asked which countries, industries and company sizes they come from, but also what PANTONE products should look like in the future and what customers would be prepared to pay for PANTONE services in the future. Question: How much can PANTONE services cost? PANTONE appears to be orientating itself on the PANTONE Connect prices: All price queries have the lowest price category < $ 7,- / month, i.e. … read more
Several errors have crept into the new PANTONE 2023 fan decks. In both the PANTONE Solid Coated and the Solid Uncoated color fans, there are colours for which the new ink formulations are incorrect. In the PANTONE Formula Guide Solid Coated fan 2023, PANTONE 107 C and PANTONE 108 C have absolutely identical ink recipes, as well as PANTONE 113 C and PANTONE 114 C. As the colors differ, this cannot be the correct. Several errors in the PANTONE Solid Uncoated fan 2023 In the PANTONE Solid Uncoated fan 2023 … read more
In recent weeks, there have been lengthy discussions on the Fogra digital printing mailing list as to whether a research project should be launched to define standardised tonal value gradations for spot colours. What is this all about? In the field of CMYK and seven-colour printing, the definition of clear, printable and proofable standards is well established and has been tried and tested in practice. If the paper or paper class is known and defined, a measuring standard such as M0/M1/M2 has been established and the content of optical brighteners … read more