Variable Data Printing (VDP) is a digital printing technique that makes it possible to customise individual elements within a print job. This can include text, images, graphics or even entire layouts. VDP is often used for personalised marketing materials, such as direct mail, where each printed item contains information specific to the recipient. VDP uses databases and software to control variations in the printing process, enabling a customised approach.
Application and advantages of VDP
VDP is used in many areas, including
- Marketing and advertising: Creation of personalised mailings that are directly tailored to the interests and needs of the recipient.
- Transaction printing: Customisation of invoices, account statements and other documents with specific customer data.
- Publishing: Production of personalised books or magazines that are adapted for individual readers.
- Invitations and event materials: Personalised invitations and event programmes that speak directly to the recipient.
The advantages of VDP are:
- Increased relevance: Personalisation increases the relevance of printed materials, leading to higher reader retention and better response rates.
- More effective communication: Customised messages can be communicated in a more targeted manner, which increases the effectiveness of marketing campaigns.
- Cost efficiency: Despite higher production costs per unit, the improved response rates and more targeted approach can reduce overall costs.
Why proofs are necessary for VDP
Proofs are essential in the VDP process to ensure that the personalised elements are printed correctly and consistently. Proofs help to ensure that the variable data is correctly integrated into the design. Errors in the database or layout can be recognised and corrected before final production. A proof shows exactly how the personalised elements will look in the finished print product, avoiding misunderstandings and errors.
As with conventional print jobs, colour accuracy is also crucial with VDP. Proofs make it possible to check colour reproduction and ensure that all individual elements are printed in the desired colours. This is particularly important when variable images or graphics are used, which may be available in different colour variants.
Proofs offer the customer the opportunity to check and approve the print product before final production. This gives the customer security and enables any adjustments or corrections to be made before the print job is fully executed. This ensures that the end product meets the customer’s expectations and requirements.
Having missed last year’s annual conference in Dresden at the last minute due to illness, I am all the more delighted to be attending this year’s event in Darmstadt. The programme is once again very exciting and varied! I’m particularly looking forward to Dr Andreas Kraushaar’s workshop ‘Measuring in Images’, the HDR lecture by Prof. Dipl.-Ing. Florian Süßl, and the insights into ‘Perzabsolut’ from Dr Moritz Feil. As we discovered at the last Colour Management Symposium in Munich, Moritz Feil – whilst working at the Technical University of Munich – … read more
Even almost 9 years after the introduction of the successor colour space PSOCoatedV3, ISOCoatedV2 / FOGRA39 is still the most widespread colour space in Europe. We at Proof GmbH count around 200 jobs from time to time for the German Printing and Media Industries Federation, among others. In the last count, proofs in ISOCoatedV2 accounted for around 68% of all proof jobs at our company. This is a clear sign of the continued widespread use of the colour space. ISOCoatedV2: From the classic colour space to the beacon of the … read more
From now on, it’s much easier and faster: in the Proof Shop, you can call up and reorder entire orders or individual proofs directly from your order history. This saves you from having to re-enter every detail and gives you the assurance that all settings will be exactly the same as last time. With just a few clicks, your proofs are reordered – reliably, easily and in no time at all. What exactly is new? You can find your order history in your customer account. There are two new options … read more
In the current issue of Fogra News “Fogra Aktuell” Proof GmbH is involved in two places. Firstly, a summary of the Fogra report on our first FOGRA55 certification for seven-colour printing with extended colour space in CMYKOGV appeared. You can also find more information on our FOGRA55 certification on the Fogra website: https://fogra.org/en/press-releases/fogracert-erste-cpc-zertifizierung-fuer-fogra55-cmykogv-330 and on proofing.de: And secondly, there was a report on the completion of the research project for textile digital printing, FOGRA58, in which we were allowed to investigate and test the proof capability of the new textile … read more
Whether it’s a large global corporation or a small company, the following often applies to designs or redesigns today: we develop everything for digital first.
After Eddy Hagen pointed out in this posts, that there were some major colour deviations between the brand new PANTONE Solid Coated Guide 2023 and the previous version especially for the PANTONE 2635 C, I was curious to lookup the same colours in the new PANTONE Color Bridge Coated Guide of 2023 and compare the colours with the previous version. I measured a dE00 of 8,15 between the two colours that Eddy mentioned, which is really far apart from how accurate PANTONE colours should match between the different PANTONE guides. … read more
A new generation of colour measuring devices is entering the market: in contrast to the classic measuring devices, which are available as a fully encapsulated system either as a colourimeter or as a spectrophotometer, and then supply the data to a computer via an interface or app or display it directly, the new generation of colour measuring devices consist only of lighting and software, with the optics of a modern iPhone from Apple being used as the sensor. Until now, there have been two categories of measuring devices on the … read more
Adobe products are ideal for image retouching and layout and handle RGB and CMYK colour profiles very well. However, when editing and retouching grayscale images, for example for a black-and-white photo book, the experience is quite different. Suddenly, images look completely different in InDesign than they do in Photoshop, and even when exporting the image to PDF, greyscale images are suddenly treated differently. This article explains where the problems lie with black-and-white images and greyscale profiles in InDesign and Photoshop layouts, and how you can work in a more ‘colour-accurate’ … read more
Several errors have crept into the new PANTONE 2023 fan decks. In both the PANTONE Solid Coated and the Solid Uncoated color fans, there are colours for which the new ink formulations are incorrect. In the PANTONE Formula Guide Solid Coated fan 2023, PANTONE 107 C and PANTONE 108 C have absolutely identical ink recipes, as well as PANTONE 113 C and PANTONE 114 C. As the colors differ, this cannot be the correct. Several errors in the PANTONE Solid Uncoated fan 2023 In the PANTONE Solid Uncoated fan 2023 … read more
A few days ago Proof GmbH was the first company to be certified for proofing for the new 7C exchange colour space FOGRA55. Fogra has developed characterisation data for extended multicolour printing with the printing colours CMYKOGV – i.e. cyan, magenta, yellow, black (contrast), orange, green and violet – FOGRA55 as part of a research project over the past few years. The characterisation data and the ICC profile Ref-ECG-CMYKOGV_FOGRA55_TAC300.icc have been published on the Fogra website in recent weeks. We have now carried out the certification via GMG ColorProof, as … read more