An LED is a ‘light-emitting diode’ and in the graphics industry stands for the new ‘LED’ light, which has replaced older light sources such as neon tubes and tungsten lamps. Neon tubes are mainly known from the area of D50 or D65 standard light, while tungsten light sources were mainly used in colour measuring devices such as spectrophotometers and colourimeters. Today, LED light sources are predominantly used for both standard light and colour measurement light, as they can be better spectrally adapted and often emit a more harmonious light spectrum, especially than neon light.
In modern standardised lighting, it is possible not only to set up standardised light for one type of light, such as D50, but also to simulate D50, D65, incandescent light and much more using several spectrally different LED lines by dimming and mixing the spectra differently in one lamp. In addition, the LED luminaires can often be dimmed, which was not possible with neon tubes.
LED light sources are also used in measuring devices, where several LED units are also often used, often including one for UV light in order to be able to offer a defined proportion of UV in the light.
What the industry is still waiting for are cost-effective standardised LED retrofit solutions, but these are unlikely to be long in coming. As the big players such as JUST Normlicht and GTI have dominated the market up to now, only expensive retrofits of the entire lighting unit have been offered instead of removing the old neon tubes and replacing them with new LED tubes in the same housing. At JUST, for example, replacing a small standard lighting unit with four tubes costs several thousand euros, as a completely new unit is used here and the old one has to be disposed of. Today, specialised smaller companies such as Lacuna Solutions can also offer modern and innovative, controllable standard light luminaires for new standard lighting solutions.
Today, however, LED light sources with a colour rendering index of over 98 are also available on the market, so it seems to be only a matter of time before LED retrofit solutions for D50 and D65 standard light will also be available here for the slim replacement of old standard light tubes while retaining the reflectors.
In recent years, various problems have arisen with our previous proof paper supplier. On the one hand, we sometimes had to wait more than three months for paper deliveries; on the other hand, we sometimes had significant problems with batch-to-batch discrepancies, surface defects and much more. After lengthy deliberations, we decided in December to replace all the paper. We therefore received pallets of new paper at the turn of the year, which we are now gradually incorporating into our production. There will be no hard cut, but the new papers … read more
From now on you can order proofs for metal decor printing on white sheet metal at proof.de: The ICC profile for Fogra60 is Metal-Printing_MPC1_FOGRA60.icc
A few days ago Proof GmbH was the first company to be certified for proofing for the new 7C exchange colour space FOGRA55. Fogra has developed characterisation data for extended multicolour printing with the printing colours CMYKOGV – i.e. cyan, magenta, yellow, black (contrast), orange, green and violet – FOGRA55 as part of a research project over the past few years. The characterisation data and the ICC profile Ref-ECG-CMYKOGV_FOGRA55_TAC300.icc have been published on the Fogra website in recent weeks. We have now carried out the certification via GMG ColorProof, as … read more
Whether it’s a large global corporation or a small company, the following often applies to designs or redesigns today: we develop everything for digital first.
In recent weeks, there have been lengthy discussions on the Fogra digital printing mailing list as to whether a research project should be launched to define standardised tonal value gradations for spot colours. What is this all about? In the field of CMYK and seven-colour printing, the definition of clear, printable and proofable standards is well established and has been tried and tested in practice. If the paper or paper class is known and defined, a measuring standard such as M0/M1/M2 has been established and the content of optical brighteners … read more
This year we once again created proofs for Fogra certification and sent them to Munich-Aschheim for testing. With these proof prints, which we print according to three different proof standards and on three different papers, we point out that we not only deliver excellent proof quality through internal quality controls and checks, but that the quality of our proofs is also measured and confirmed by external experts. We have now had test prints certified by Fogra for the 12th time. We have also been “Spot-cert” certified for the display of … read more
The most important colour management event takes place every two years in Munich: the Fogra Colour Management Symposium. Once again this year, all professionals are invited to make the pilgrimage to Munich: two days of lectures, discussions and a Bavarian evening await participants. Matthias Betz, owner of proof.de, will also be there again: for many years, he has been taking advantage of the opportunity to exchange ideas with colleagues and friends, learn about new technologies, hardware and software, and talk to colleagues from Fogra, freieFarbe, GMG and many more. In … read more
Peter Jäger is an expert in colour management that reliably works across the boundaries of printers and monitors, web and print – essentially: cross-media.
Today I received an email in which PANTONE asked how it should orientate its products and services in the future. The users were asked which countries, industries and company sizes they come from, but also what PANTONE products should look like in the future and what customers would be prepared to pay for PANTONE services in the future. Question: How much can PANTONE services cost? PANTONE appears to be orientating itself on the PANTONE Connect prices: All price queries have the lowest price category < $ 7,- / month, i.e. … read more
RGB colour spaces are colour systems that represent different hues with the three primary colours red, green and blue. RGB colour spaces are used in digital image processing, photography and computer technology to precisely define colours. The most important RGB colour spaces and their special features are: sRGB sRGB is the most widely used RGB colour space and is used by most monitors, printers and digital cameras. It was developed by HP and Microsoft in the 1990s to create a standard for colour representation on the internet and on various … read more