In current colour research, the term ‘appearance’ refers to the perceived colour of an object or surface under different lighting conditions and in different environments. Appearance is about how colours are perceived visually by people and how they are influenced by the properties of light, surface texture and other environmental factors.
1. Colour perception under variable conditions
- Light source: The type of light source (e.g. daylight, light bulb, LED) strongly influences the perceived colour of an object. Different light sources have different spectral distributions, which can influence the colour rendering.
 
- Ambient conditions: The environment in which an object is located, such as the room background or neighbouring colours, can greatly change the appearance of the colour.
 
2. Metamerism
- Metamerism refers to the phenomenon where two objects can look the same under one light source but look different under another light source. This occurs when the spectral reflectance properties of the objects are similar but not identical.
 
3. Colour consistency
- Colour constancy describes the ability of the eye to perceive the colour of an object relatively consistently regardless of changes in lighting or the environment. This is an important mechanism that ensures that we can consistently identify objects under different lighting conditions.
 
4. Surface properties
- The nature of a surface, such as gloss, texture or translucency, also influences the appearance of the colour. Glossy surfaces can reflect light differently than matt surfaces, resulting in different visual impressions.
 
In colour research, ‘appearance’ therefore describes the complex interaction between light, surfaces and the visual system that determines the appearance of colours. It is a multidisciplinary field of research that includes both physical and psychological aspects of colour perception in order to develop a comprehensive understanding of the visual world.
And why does this field of research exist? A very classic example:
Customer question: Is the same colour on a proof different on a glossy, matt and satin glossy proof paper?
My answer:
Two answers:
1) No: For printing according to ISOCoatedV2, the specification states: ‘Glossy or matt coated image printing paper >80gr/sqm …’, so you can already see here that matt and glossy are synonymous. The geometry of colour measurement technology in the printing industry (45/0/2°) also eliminates any gloss effect in terms of measurement technology, so high-gloss and super matt are also identical in terms of measurement technology.
2) Yes: In terms of colour perception by the human eye, identical colours can certainly have different effects due to the different reflections of matt and glossy surfaces. And: If you take the gloss into account metrologically (for example with a ball-head measuring device (d8° instead of 45/0/2°), then the colour would of course be measured differently for matt and glossy. However, this is not how the printing industry currently measures colour.
					
													
										
				
									
													
								
							
							In the current issue of Fogra News “Fogra Aktuell” Proof GmbH is involved in two places. Firstly, a summary of the Fogra report on our first FOGRA55 certification for seven-colour printing with extended colour space in CMYKOGV appeared. You can also find more information on our FOGRA55 certification on the Fogra website: https://fogra.org/en/press-releases/fogracert-erste-cpc-zertifizierung-fuer-fogra55-cmykogv-330 and on proofing.de: And secondly, there was a report on the completion of the research project for textile digital printing, FOGRA58, in which we were allowed to investigate and test the proof capability of the new textile  … read more
						
					 
							
									
										
				
									
													
								
							
							Anyone who has reinstalled or updated their i1 Profiler app in the last few weeks has been confronted with disturbing news: X-Rite announced directly in the start window that it would no longer support its enormously popular i1Display and i1Pro2 devices. Users of the i1Pro 2 devices and i1iO 2 tables, which are extremely popular in printing and colour management, will be particularly hard hit by the announcement: An investment of €6,000 is quickly consigned to the electronic scrap heap. But what can you do if you own such a  … read more
						
					 
							
									
										
				
									
													
								
							
							Adobe products are ideal for image retouching and layout and handle RGB and CMYK colour profiles very well. However, when editing and retouching grayscale images, for example for a black-and-white photo book, the experience is quite different. Suddenly, images look completely different in InDesign than they do in Photoshop, and even when exporting the image to PDF, greyscale images are suddenly treated differently. This article explains where the problems lie with black-and-white images and greyscale profiles in InDesign and Photoshop layouts, and how you can work in a more ‘colour-accurate’  … read more
						
					 
							
									
										
				
									
													
								
							
							From now on you can order proofs for metal decor printing on white sheet metal at proof.de: The ICC profile for Fogra60 is Metal-Printing_MPC1_FOGRA60.icc
						
					 
							
									
										
				
									
													
								
							
							In recent years, various problems have arisen with our previous proof paper supplier. On the one hand, we sometimes had to wait more than three months for paper deliveries; on the other hand, we sometimes had significant problems with batch-to-batch discrepancies, surface defects and much more. After lengthy deliberations, we decided in December to replace all the paper. We therefore received pallets of new paper at the turn of the year, which we are now gradually incorporating into our production. There will be no hard cut, but the new papers  … read more
						
					 
							
									
										
				
									
													
								
							
							Digimarc is a digital watermark that can be used to embed information in images, videos or other media. Digimarc watermarks are invisible to the human eye, but remain recognisable to special software or devices. Digimarc is becoming increasingly popular in the packaging sector in particular, as this technology allows the digits of the EAN barcode and more to be applied invisibly to all areas of the packaging. Digimarc and EAN barcode at the supermarket checkout When scanning at the checkout, the checkout staff do not have to search for the  … read more
						
					 
							
									
										
				
									
													
								
							
							A new generation of colour measuring devices is entering the market: in contrast to the classic measuring devices, which are available as a fully encapsulated system either as a colourimeter or as a spectrophotometer, and then supply the data to a computer via an interface or app or display it directly, the new generation of colour measuring devices consist only of lighting and software, with the optics of a modern iPhone from Apple being used as the sensor. Until now, there have been two categories of measuring devices on the  … read more
						
					 
							
									
										
				
									
													
								
							
							From now on, it’s much easier and faster: in the Proof Shop, you can call up and reorder entire orders or individual proofs directly from your order history. This saves you from having to re-enter every detail and gives you the assurance that all settings will be exactly the same as last time. With just a few clicks, your proofs are reordered – reliably, easily and in no time at all. What exactly is new? You can find your order history in your customer account. There are two new options  … read more
						
					 
							
									
										
				
									
													
								
							
							Today I received an email in which PANTONE asked how it should orientate its products and services in the future. The users were asked which countries, industries and company sizes they come from, but also what PANTONE products should look like in the future and what customers would be prepared to pay for PANTONE services in the future. Question: How much can PANTONE services cost? PANTONE appears to be orientating itself on the PANTONE Connect prices: All price queries have the lowest price category < $ 7,- / month, i.e.  … read more
						
					 
							
									
										
				
									
													
								
							
							After Eddy Hagen pointed out in this posts, that there were some major colour deviations between the brand new PANTONE Solid Coated Guide 2023 and the previous version especially for the PANTONE 2635 C, I was curious to lookup the same colours in the new PANTONE Color Bridge Coated Guide of 2023 and compare the colours with the previous version. I measured a dE00 of 8,15 between the two colours that Eddy mentioned, which is really far apart from how accurate PANTONE colours should match between the different PANTONE guides.  … read more