The IHK examination board for media designers – what exactly do they do? Quite simply, they are the centrepiece of the examination process. But what does that mean in concrete terms? Let’s delve into their tasks and their importance for the training of media designers.
Planning and organising
First and foremost, the examination board takes care of the assessment of the examinations; the prior planning and organisation of the examinations is carried out purely by the IHK and the vocational school. The IHK sets the dates, ensures that all examination documents are available in good time, the examination tasks are developed by the ZFA and are the same for the whole of Germany. The ZFA also ensures that the tasks not only correspond to current training standards, but are also fair and feasible. The aim is to give the candidates a real chance to demonstrate their skills.
Testing and evaluation
Then comes the exciting part: conducting the examinations. Here, the members of the examination board ensure that the trainees’ performance in the practical part is assessed correctly. A keen eye and a lot of experience are required here. The candidates’ work is assessed and evaluated directly. The examiners attach great importance to transparency and comprehensibility. Everyone should be able to understand how the assessments are arrived at.
Deciding and developing further
After the assessment, things get serious: has the candidate passed or failed? This decision is made by the commission on the basis of the assessments. Those who pass receive the long-awaited examination certificate. And what happens if someone is unhappy with the result? Then the committee is also called upon. It examines objections and complaints and decides on possible measures.
But their work is far from over. The commission is also working on improving and adapting the examination requirements and content by providing the ZFA with feedback on the examination tasks. The professional field of media design is constantly changing and training must keep pace.
In recent weeks, there have been lengthy discussions on the Fogra digital printing mailing list as to whether a research project should be launched to define standardised tonal value gradations for spot colours. What is this all about? In the field of CMYK and seven-colour printing, the definition of clear, printable and proofable standards is well established and has been tried and tested in practice. If the paper or paper class is known and defined, a measuring standard such as M0/M1/M2 has been established and the content of optical brighteners … read more
After Eddy Hagen pointed out in this posts, that there were some major colour deviations between the brand new PANTONE Solid Coated Guide 2023 and the previous version especially for the PANTONE 2635 C, I was curious to lookup the same colours in the new PANTONE Color Bridge Coated Guide of 2023 and compare the colours with the previous version. I measured a dE00 of 8,15 between the two colours that Eddy mentioned, which is really far apart from how accurate PANTONE colours should match between the different PANTONE guides. … read more
This year we once again created proofs for Fogra certification and sent them to Munich-Aschheim for testing. With these proof prints, which we print according to three different proof standards and on three different papers, we point out that we not only deliver excellent proof quality through internal quality controls and checks, but that the quality of our proofs is also measured and confirmed by external experts. We have now had test prints certified by Fogra for the 12th time. We have also been “Spot-cert” certified for the display of … read more
Peter Jäger is an expert in colour management that reliably works across the boundaries of printers and monitors, web and print – essentially: cross-media.
In the current issue of Fogra News “Fogra Aktuell” Proof GmbH is involved in two places. Firstly, a summary of the Fogra report on our first FOGRA55 certification for seven-colour printing with extended colour space in CMYKOGV appeared. You can also find more information on our FOGRA55 certification on the Fogra website: https://fogra.org/en/press-releases/fogracert-erste-cpc-zertifizierung-fuer-fogra55-cmykogv-330 and on proofing.de: And secondly, there was a report on the completion of the research project for textile digital printing, FOGRA58, in which we were allowed to investigate and test the proof capability of the new textile … read more
In this short image video we – the Proof GmbH – introduce us and our work. Find out who we are and what drives us. What do you think of our short film?
Shortly after Adobe’s announcement to remove PANTONE colours from their products, PANTONE removed the popular PANTONE Find a Color from their website
Today I received an email in which PANTONE asked how it should orientate its products and services in the future. The users were asked which countries, industries and company sizes they come from, but also what PANTONE products should look like in the future and what customers would be prepared to pay for PANTONE services in the future. Question: How much can PANTONE services cost? PANTONE appears to be orientating itself on the PANTONE Connect prices: All price queries have the lowest price category < $ 7,- / month, i.e. … read more
RGB colour spaces are colour systems that represent different hues with the three primary colours red, green and blue. RGB colour spaces are used in digital image processing, photography and computer technology to precisely define colours. The most important RGB colour spaces and their special features are: sRGB sRGB is the most widely used RGB colour space and is used by most monitors, printers and digital cameras. It was developed by HP and Microsoft in the 1990s to create a standard for colour representation on the internet and on various … read more
In recent years, various problems have arisen with our previous proof paper supplier. On the one hand, we sometimes had to wait more than three months for paper deliveries; on the other hand, we sometimes had significant problems with batch-to-batch discrepancies, surface defects and much more. After lengthy deliberations, we decided in December to replace all the paper. We therefore received pallets of new paper at the turn of the year, which we are now gradually incorporating into our production. There will be no hard cut, but the new papers … read more