The Proof GmbH provides proofs for Scheufelen Heaven 42 papers on the new EFI 8245 OBA proofing paper. With this new proofing paper it is now possible to proof the bright-white paper dye of Heaven42l.
With Heaven 42 a bright white paper was developed by the German paper company Scheufelen, which opened up a new color whiteness. Especially technical motifs (shades of gray, silver tones from 4c, strong contrasts) act on Heaven 42 particularly brilliant and neutral. With an unchanged separation (eg with ICC profile “ISOcoated_v2”), but the printed image with the same color and dot gain looks considerably colder. Using images with warm tones (z. B. skintones) it is therefore recommended to do color adjustments.
We proofed Heaven42 on EFI Proof Paper 8245 OBA with optical brighteners and measure the Proofs M1 standard with consideration of optical brighteners. The proof can be provided with a UGRA / FOGRA media wedge and test report. Our Heaven42 proofs provide a good simulation of Heaven42 offered by Scheufelen for the ICC Profiles of Heidelberger Druck. The profile can be downloaded from the Scheufelen Website with additional notes from Scheufelen to pressure requirements etc., which are also included in the download of the profile.
Scheufelen offers two ICC-Profiles for Download, we are proofing the profile of Heidelberger Druck (“_HD”).
Ink Coverage: ~280 % (U)
Black: GCR , 80 % (G)
Max Black: 98 % (K)
Proofing Substrate: EFI Proof Paper 8245 OBA Semimatt
Verification Profile: Made from Reference Data
Verification Light: M1 with OBA
Heaven 42 Proofs can be ordered directly in Proof store of Proof.de. Simply select the profile “Heaven 42 (Coated OBA)”.
A proof for coated papers with optical brighteners, we offer on semi matte EFI 8245 OBA semimatte with 245 gr / sqm. The EFI Proof Paper 8245OBA Semimatte has been specifically designed for proofing white and brightened, coated papers. The white point of this semi matte paper is very close to the values of the FOGRA51 profile and thus allows proofing of FOGRA51 with virtually no paper white simulation at all. It is also well suited for simulating paper conditions PC1 according to ISO 12647-2:-2013.
EFI Proof Paper 8245 OBA Semimatt
Weight: 245 g / sqm
Thickness: 245 microns
CIE L * a * b * (M0): 95.8 | 0.9 | -4.3
CIE L * a * b * (M1): 96.0 | 1.1 | -5.6
For Proofs on uncoated papers with optical brighteners, we offer proofing on matte EFI 8175 OBA matte with 175gr / sqm. The EFI Proof Paper 8175OBA Matte has been specifically designed for uncoated proof standards. It is highly brightened and very suitable for proofing of Fogra52.
EFI Proof Paper 8175 OBA Matte
Weight: 175 g / m²
Thickness: 230 microns
CIE L * a * b * (M0): 96.8 | 2.5 | -7.7
CIE L * a * b * (M1): 97.0 | 3.0 | -10.8
By switching to the new Fiery XF 6.1 and the use of the new X-Rite SpectroProofer ILS-30 measuring instruments, we are now able to proof the current beta versions of the new printing standards Fogra 51 and Fogra 52.
Since the current proofing profiles are available only in preliminary beta versions, the versions are of course not color binding and legally binding. Nevertheless, interested agencies and printers can get a picture of the current state of development and evaluate the coming changes of the OBA proofing papers used better match the colors of the new proofing standards.
The Fogra 51/52 Beta proofs are listed as follows:
Proof profiles Uncoated:
PSO_Uncoated_blueish_v3_ (ECI) -Fred15-July.icc
Software: Fiery XF 6.1
Proof printer: EPSON 7900/9900
Measurement: Epson / X-Rite SpectroProofer ILS30
Measuring standard: M1 with UV
Proof Paper Coated: EFI Proof Paper 8245OBA Semimatt 245gr / sqm
Proof Paper Uncoated: EFI Proof Paper 8175OBA Matt 175gr / sqm
With the new SpectroProofer ILS30 made by X-Rite, Proof GmbH has created the basis for automated measurements and Proof verifications according to M1 standard. Proofs with optical brighteners (OBAs – Optical Brightning Agents) can now be measured. Contrary to earlier announcements, the new SpectroProofer are also able to measure the current proofing standards as before in M0 measurement standard.
Proof.de has updated its proofing software to Fiery XF Proofing 6.1 and so successfully finished preparations for the production of proofs in the upcoming Fogra 51 and Fogra 52 color standards. The new software version also supports the now available new Spektroproofer ILS-30 made by X-Rite, which is able to measure in the measurement modes M0, M1 and M2.
The color profiles for the automated production of proofs and proof verification Fogra51 and Fogra52 will have to me measured in the new M1 standards, as well as the 2013 Versions of SWOP and GRACoL.
Designers constantly need to be inspired to create new colour creations. Often pictures are chosen as the starting point for a new colour composition. Or there is a leading colour for which further colours must be found in order to create a harmonious colour palette.
There are several websites on the net that are perfect for such colour breakdowns and colour inspirations for graphic artists and designers. We have summarized the best of them here in an overview.
Adobe Color CC is the Adobe social colour network. Designers can test and evaluate colours and develop different colour schemes and colour combinations. These can then be downloaded directly for use in Adobe products such as Adobe Creative Suite. https://color.adobe.com
On Colourlovers, users can create colour palettes, rate them and exchange information in blogs. In addition, the site offers numerous articles on colour, shapes and much more. http://www.colourlovers.com
With Colorcombos, users can experiment with different colours and colour (more…)
We have used the past few weeks, to protect our proof Store shop.proof.de with a SSL certification (EV). Thus the whole communication between you and the shop is protected with a high level of encryption.
You recognize the active encryption by slight green bar in the browser. If you click on the lock, you will get more information about the certificate and the issuing body GeoTrust. And you can see at first glance: you are really connected to the Proof GmbH in Tübingen.
Pantone colours can be simulated very well today. T be able in advance to see how well your Pantone colour can be reproduced, we have published tables of all Pantone inks where the colour differences of the Pantone colours can be looked up already before proofing.
We have now even photographed some pictures that visually show how appropriate proofs on the latest Pantone subjects.
Throughout Germany shipping costs for packages from Proof A3 were reduced to only 9,-€.
In international shipping, costs were partially reduced by almost 50%. Proofs can now be sent quickly and conveniently wordwide. shipping costs and options are directly calculated in the shop so that a quick and direct proof order is possible. Express delivery in the EU is now from 35, – €, Switzerland and the United States from only 45, – €. Even for Afghanistan and Nigeria, shipping costs for DIN A0 proofs are only 75, – €. In international express, delivery time is between one to four days…
The exact prices and per country can be seen here:
Please note: Express delivery and standard delivery to countries in located in different shipping zones. So the standard shipping in the US through DHL is nearly as “expensive”, as the express delivery. So express delivery for only 10 Euro more certainly is the more attractive option for time-critical goods such proofs.
Fogra Fogra 51 and 52, optical brighteners and the new standards for offset printing and proofing are currently on everyone’s lips. In the proof area we still see only announcements and beta versions, but no real solutionsby now. In 2013 the reorganization of ISO 12647-2 was adopted for offset printing, but according to ECI the earliest “expected recommendation on the implementation of the new ISO 12647-2 as well as the provision of appropriate handouts and instruments’ will be in 2015. The current status of Fogra 51 and Fogra 52 from our perspective:
Our telephone support often asks for a proof on production paper. Unfortunately, we always have to answer the question negatively. I would like to briefly explain the reasons for this in the following article.
Proofing on production paper is still technically impossible.
All proofing systems currently certified by Fogra are based on an inkjet printer as a test printer, mostly from Epson, Canon or HP. These printers are characterised by a large colour space, good resolution and excellent homogeneity and colour stability – all characteristics that are absolutely necessary for a proof printing system. The Epson systems used by the majority of proof printers are based on 11-colour pigment inks, which can reproduce a significantly larger colour space than e.g. ISOCoatedV2. However, the prerequisite for this is the use of special papers optimized for inkjet printing, in which the pigments and inks are optimally emphasized. This requires special coatings that are optimized for optimum reproduction, fast drying, good abrasion resistance and high UV stability of the print. On an image printing paper without these coatings, the ink would run, hardly dry and would not be smudge-proof. The color space would also be impossible to achieve. A proof would therefore not be possible from this point of view. (more…)
The new A4+ packaging are made of high quality Chromosulfatcardboard with 450gr/m² weight and provided with a pull tab. They can be fitted on the front either with an adress label and postage stamp or for express shipments with a DHL Express label, as shown in the picture below. For shipping abroad we use to send via world letter large with registered mail, which is now directly printed as an adress label with stamp.
The new cardboard shipping sleeves are slightly slimmer than before and also provided with a comfortable pull-tab. The new address labels are easy to recognize as of Proof.de. For the different formats between Proof DIN A3 and DIN A0 + they are available in various lengths and are each used appropriately according Proof size. They are used with DHL shipping labels for the standard shipping and express delivery.
Already a few weeks ago we received an unusual request: The musician and aspiring art student Tobias Weh from Osnabrück experimented with line drawings based on anaglyphs and achieved very good results on the monitor. He created superimposed line drawings, which then delivered a different image when viewed through the left eye than when viewed through the right eye. The question was whether this could be reproduced better with the high color range of a proofing system than with a simple domestic inkjet printer.
Since such questions are of course very interesting at first sight, we were quickly prepared to support Mr Weh in his work. To get closer to the matter, we use an i1 Pro 2 and BabelColor Color Translator & Analyzer to measure the spectra for the two films, which are transmitted through standard anaglyph glasses.
Actually a very satisfactory result. By choosing two colours as printing in the spectral ranges of 450 to 500 nanometres for blue and 650 to 700 nanometres for red, it should actually be possible to achieve quite a good result. (more…)
The certification proofs have been produced both on EPSON 7900 and EPSON 9900 proof printers with SpectroProofer measuring instruments. Our two proofing papers were included in the certification process. Proof GmbH is therefore certified for the most frequently used Proofing Standards.
In parallel to the measurements, control measurements were carried out with a second X-Rite meter in order to eliminate measurement errors.
The conclusion of the Fogra: “The proofs of the company Proof GmbH are as color accurate and binding in the following combinations:
2. Fogra 47 / PSOUncoated
Software Fiery XF 5.2.2
Proofing Substrate: EFI Proof Paper 9120 XF matt
Epson Stylus Pro 9900
The Fogra certification and the full 11-page report from Fogra can be downloaded here::
PaC.Space is the first uniform colour standard and proof standard for packaging gravure printing on coated substrates and films. Proofs in the PaC.Space colour space can now be ordered conveniently at shop.proof.de.
Up to now, there have been no colour standards in packaging gravure printing, as it is much more complex than magazine gravure printing, for example, and much larger colour spaces can be achieved in packaging printing. So far, the ISOCoatedV2 color space has often been used, but it contains considerably fewer colors than PaC.Space. Or in-house standards of the packaging printers were used, but they still had to be revised for the final print before the printing process.
With PaC.Space there is now a color space suitable for many packaging gravure prints, with which a proof can be created very early in the design process, which comes very close to the later production result. The data can and should be processed directly in PaC.space, which helps to reduce costs and time.
The idea of a uniform color space is the result of a project of the Pro Gravure Working Group of the European Rotogravure Association (ERA) under the leadership of GMG and Europe’s largest cylinder house Janoschka. At Proof.de PaC.Space Proofs are created according to the following conditions:
PaC.Space is the first uniform color standard for packaging gravure printing that enables an interface from supplied prepress data to process- or print-specific adjustments.
Paper: Coated substrates and films in packaging gravure printing
Check profile: FOGRA_PaCSpace_MKCheck11.it8
Current proofing systems can print spot colours like Pantone or HKS very accurate. With Fiery XF 5.2 Proof software and the Epson 7900/9900 proof printers we evaluated, with which colour deviation PANTONE Metallics Coated and PANTONE Premium Metallics Coated colours can be reproduced in proofing.
The colour deviations were calculated based on the measured colour space of the proof system of Proof GmbH by the proofing software. Deviations should therefore be quite similar in practice. Almost all PANTONE colours can be simulated quite well in the wide colour gamut of the proofer.
The smaller the Delta-E value, the lower is the colour distance of the PANTONE reference to the proofed PANTONE colour. Higher Delta-E values show, which PANTONE colours can’t be simulated accurately in the proof.
Please note: Since the proof devices does not have colours with metallic pigments, the metallic shine in the proof can not be reproduced. Only through the satin finish of our proofing paper a somewhat shiny effect is produced, which replaces partly the metallic luster of true PANTONE colours. Although the colour is well rendered, the metallic effect in the proof does not exist. The proof can therefore always be used only as a guide, but not as binding simulation of the final result.
Premium Metallics Coated
|PANTONE 871 C||0,71 ∆E||PANTONE 10101 C||1,49 ∆E|
|PANTONE 872 C||0,72 ∆E||PANTONE 10102 C||1,77 ∆E|
|PANTONE 873 C||1,03 ∆E||PANTONE 10103 C||1,00 ∆E|
|PANTONE 874 C||1,26 ∆E||PANTONE 10104 C||1,42 ∆E|
|PANTONE 875 C||0,97 ∆E||PANTONE 10105 C||1,42 ∆E|
|PANTONE 876 C||0,86 ∆E||PANTONE Silver C||1,65 ∆E|
|PANTONE 877 C||1,37 ∆E||PANTONE 10106 C||1,09 ∆E|
|PANTONE 8001 C||1,52 ∆E||PANTONE 10107 C||0,97 ∆E (more…)|
Currently, PANTONE has two parallel Metallics colour fans:
The main differences between the two fans lie in the composition of their respective basic colours: Firstly, there is the different Pantone Silver: PANTONE 877 or PANTONE Silver 10077 C. On the other hand, in the PANTONE Metallics Coated the silver is supplemented by further gold basic colours, while in the PANTONE Premium Metallics Coated the newly defined silver is the only metallic basic colour and is tinted by PANTONE Goe basic colours.
The following 84 PANTONE colours were added in February 2014 to the PANTONE Matching System and are included in the current Pantone Plus
PANTONE 2337 | PANTONE 2338 | PANTONE 2339 | PANTONE 2340
PANTONE 2341 | PANTONE 2342 | PANTONE 2343 | PANTONE 2344
PANTONE 2345 | PANTONE 2346 | PANTONE 2347 | PANTONE 2348
PANTONE 2349 | PANTONE 2350 | PANTONE 2351 | PANTONE 2352
PANTONE 2353 | PANTONE 2354 | PANTONE 2355 | PANTONE 2356
PANTONE 2357 | PANTONE 2358 | PANTONE 2359 | PANTONE 2360
PANTONE 2361 | PANTONE 2362 | PANTONE 2363 | PANTONE 2364
PANTONE 2366 | PANTONE 2367 | PANTONE 2368 | PANTONE 2369
PANTONE 2370 | PANTONE 2371 | PANTONE 2372 | PANTONE 2373
PANTONE 2374 | PANTONE 2376 | PANTONE 2377 | PANTONE 2378
PANTONE 2379 | PANTONE 2380 | PANTONE 2381 | PANTONE 2382
PANTONE 2383 | PANTONE 2384 | PANTONE 2386 | PANTONE 2387
PANTONE 2388 | PANTONE 2389 | PANTONE 2390 | PANTONE 2391
PANTONE 2392 | PANTONE 2393 | PANTONE 2394 | PANTONE 2396
PANTONE 2397 | PANTONE 2398 | PANTONE 2399 | PANTONE 2400
PANTONE 2401 | PANTONE 2402 | PANTONE 2403 | PANTONE 2404
PANTONE 2406 | PANTONE 2407 | PANTONE 2408 | PANTONE 2409
PANTONE 2410 | PANTONE 2411 | PANTONE 2412 | PANTONE 2413
PANTONE 2414 | PANTONE 2416 | PANTONE 2417 | PANTONE 2418
PANTONE 2419 | PANTONE 2420 | PANTONE 2421 | PANTONE 2422
PANTONE 2423 | PANTONE 2424 | PANTONE 2426 | PANTONE 2427
The following six PANTONE colours are dispensed compared to PANTONE 50th Anniversary compartments of 2012:
PANTONE Medium Yellow | PANTONE Bright orange | Red PANTONE STRONG
PANTONE Medium Blue | PANTONE Bright Green | PANTONE Neutral Black
Recently we received a PDF file from a Swiss customer who asked us to proof it according to ISOCoatedV2. The format was PDFX-4, we could open the file, preflight it and also display it in Acrobat. However, when proofing in Fiery XF 5.2, the file was only output after a RIP time of over 3 hours.
We have recorded the screen layout on a modern Macbook Pro with four processor cores and the latest Acrobat Pro version to illustrate the enormous demands on computing power.
It was clear from the screen layout that the RIP time would be quite long, but three hours with just one use was quite unusual, especially since in our RIP two instances of the Adobe PDF Print Engine work simultaneously. Where exactly the error lies in the extremely high RIP time is not yet clear. Both EFI, as the manufacturer of the Fiery RIPS, and Adobe, as the manufacturer of the PDF Print Engine (APPE), have been given the information that on a Harlequin RIP the file was probably ripped within a few minutes. So a bug in the Adobe PDF Print Engine might also be a reason for the long processing time.
It’ s a typical problem. From creation programs such as InDesign and Illustrator, the flattening of file elements with X/4 is passed on to the RIP in the print shop or proof printer.
The case in question was calculated on a quad-core system with SSDs with two instances of the Adobe PDF Print Engine and output correctly for three hours 47 minutes. However, since the final product cover is not expected to be produced in Europe, but in Asia, it was decided to break down the complex graphics with transparencies, drop shadows, etc. in Photoshop and then reuse it as a transparent PSD file. The resulting PDF X/3 file was ripped and proofed within seconds. The colour result was identical to the X4 file.
This example shows: PDF X4 is not just a modified data format. It also shifts the computing power and software requirements from the data creator to the data processor or printing house. But especially with complex graphics this can lead to unpredictable effects. Although PDF X/4-capable solutions such as Fiery XF 5.2 do exist today, a RIP time of over three hours is of course not practical.
Pantone has added a further 84 colours to ist Pantone Plus colour palette in March 2014. The the total amount of the Pantone Plus colour now extends to 1755 colours as Pantone writes on his website. The colours were – matching the Pantone colour of the year: Radiant Orchid – expanded in the Rouge and Pink range, based on the previous base colours.
Two other changes compared to the previous 50th Anniversary PANTONE guides are visible:
For the CMYK guides and the Premium Metallics and Neons & pastel colour guides only the cover pages have been updated. Graphic artists and the printing industry should forthwith upgrade its Solid Coated and Solid Uncoated guides to those of 2014 or newer.
Since the year 2010, there has been chaos in the PANTONE Plus colour portfolio, which is not improved by the new colour guides generation. At present, there are four parallel Pantone Plus colour guides on the market, three of them with different number of colours included in the guide, although that is hardly communicated by Pantone.
The same is true for the Pantone product partners such as Adobe: Hardly any graphic designer knows what Pantone Plus colour are integrated into Adobe the specific Version since neither Pantone nor Adobe characterize their colour guide generation different. Pantone’s statement: “Compatible with today’s digital workflows – colours can be easily updated in leading design applications” translates rather: “What Pantone colours you see in your application, is pure cuincidence – depending on the update status and your manual intervention.”