In current colour research, the term ‘appearance’ refers to the perceived colour of an object or surface under different lighting conditions and in different environments. Appearance is about how colours are perceived visually by people and how they are influenced by the properties of light, surface texture and other environmental factors.
1. Colour perception under variable conditions
- Light source: The type of light source (e.g. daylight, light bulb, LED) strongly influences the perceived colour of an object. Different light sources have different spectral distributions, which can influence the colour rendering.
- Ambient conditions: The environment in which an object is located, such as the room background or neighbouring colours, can greatly change the appearance of the colour.
2. Metamerism
- Metamerism refers to the phenomenon where two objects can look the same under one light source but look different under another light source. This occurs when the spectral reflectance properties of the objects are similar but not identical.
3. Colour consistency
- Colour constancy describes the ability of the eye to perceive the colour of an object relatively consistently regardless of changes in lighting or the environment. This is an important mechanism that ensures that we can consistently identify objects under different lighting conditions.
4. Surface properties
- The nature of a surface, such as gloss, texture or translucency, also influences the appearance of the colour. Glossy surfaces can reflect light differently than matt surfaces, resulting in different visual impressions.
In colour research, ‘appearance’ therefore describes the complex interaction between light, surfaces and the visual system that determines the appearance of colours. It is a multidisciplinary field of research that includes both physical and psychological aspects of colour perception in order to develop a comprehensive understanding of the visual world.
And why does this field of research exist? A very classic example:
Customer question: Is the same colour on a proof different on a glossy, matt and satin glossy proof paper?
My answer:
Two answers:
1) No: For printing according to ISOCoatedV2, the specification states: ‘Glossy or matt coated image printing paper >80gr/sqm …’, so you can already see here that matt and glossy are synonymous. The geometry of colour measurement technology in the printing industry (45/0/2°) also eliminates any gloss effect in terms of measurement technology, so high-gloss and super matt are also identical in terms of measurement technology.
2) Yes: In terms of colour perception by the human eye, identical colours can certainly have different effects due to the different reflections of matt and glossy surfaces. And: If you take the gloss into account metrologically (for example with a ball-head measuring device (d8° instead of 45/0/2°), then the colour would of course be measured differently for matt and glossy. However, this is not how the printing industry currently measures colour.
Whether it’s a large global corporation or a small company, the following often applies to designs or redesigns today: we develop everything for digital first.
Offset and Newsprint ISO Coated v2 (ECI) / ISO Coated v2 300% (ECI) Profile: ISOcoated_v2_eci.icc Standard for glossy and matte coated paper Paper: Types 1 and 2, gloss and matte coated Tone value increase curves A (CMY) and B (K) as defined in ISO 12647-2:2004 Characterisation Data: FOGRA39L ISOUncoated Profile: ISOUncoated.icc Standard for uncoated white natural paper Paper: paper grade 4, uncoated white offset, dot gain curves C (CMY) and D (K) from ISO 12647-2: 2004 Characterisation Data: FOGRA29L PSOCoatedV3 / Fogra 51 Profile: PSOcoated_v3.icc The successor of ISOCoatedV2 for glossy … read more
Several errors have crept into the new PANTONE 2023 fan decks. In both the PANTONE Solid Coated and the Solid Uncoated color fans, there are colours for which the new ink formulations are incorrect. In the PANTONE Formula Guide Solid Coated fan 2023, PANTONE 107 C and PANTONE 108 C have absolutely identical ink recipes, as well as PANTONE 113 C and PANTONE 114 C. As the colors differ, this cannot be the correct. Several errors in the PANTONE Solid Uncoated fan 2023 In the PANTONE Solid Uncoated fan 2023 … read more
In 2021 proof.de was again Fogra certified including Fogra “Spot cert” certification, i.e. for the display of spot colours such as PANTONE C and U.
After Eddy Hagen pointed out in this posts, that there were some major colour deviations between the brand new PANTONE Solid Coated Guide 2023 and the previous version especially for the PANTONE 2635 C, I was curious to lookup the same colours in the new PANTONE Color Bridge Coated Guide of 2023 and compare the colours with the previous version. I measured a dE00 of 8,15 between the two colours that Eddy mentioned, which is really far apart from how accurate PANTONE colours should match between the different PANTONE guides. … read more
In recent years, various problems have arisen with our previous proof paper supplier. On the one hand, we sometimes had to wait more than three months for paper deliveries; on the other hand, we sometimes had significant problems with batch-to-batch discrepancies, surface defects and much more. After lengthy deliberations, we decided in December to replace all the paper. We therefore received pallets of new paper at the turn of the year, which we are now gradually incorporating into our production. There will be no hard cut, but the new papers … read more
Today I received an email in which PANTONE asked how it should orientate its products and services in the future. The users were asked which countries, industries and company sizes they come from, but also what PANTONE products should look like in the future and what customers would be prepared to pay for PANTONE services in the future. Question: How much can PANTONE services cost? PANTONE appears to be orientating itself on the PANTONE Connect prices: All price queries have the lowest price category < $ 7,- / month, i.e. … read more
In recent weeks, there have been lengthy discussions on the Fogra digital printing mailing list as to whether a research project should be launched to define standardised tonal value gradations for spot colours. What is this all about? In the field of CMYK and seven-colour printing, the definition of clear, printable and proofable standards is well established and has been tried and tested in practice. If the paper or paper class is known and defined, a measuring standard such as M0/M1/M2 has been established and the content of optical brighteners … read more
In the current issue of Fogra News “Fogra Aktuell” Proof GmbH is involved in two places. Firstly, a summary of the Fogra report on our first FOGRA55 certification for seven-colour printing with extended colour space in CMYKOGV appeared. You can also find more information on our FOGRA55 certification on the Fogra website: https://fogra.org/en/press-releases/fogracert-erste-cpc-zertifizierung-fuer-fogra55-cmykogv-330 and on proofing.de: And secondly, there was a report on the completion of the research project for textile digital printing, FOGRA58, in which we were allowed to investigate and test the proof capability of the new textile … read more
Peter Jäger is an expert in colour management that reliably works across the boundaries of printers and monitors, web and print – essentially: cross-media.