The CRI (Colour Rendering Index) is a measure of the colour rendering quality of a light source. It indicates how well a light source reproduces the colours of objects in comparison to a reference light source, e.g. a daylight spectrum.
The colour rendering index is measured on a scale from 0 to 100. A value of 100 means that the light source reproduces the colours of objects perfectly. A value of 0 means that the light source does not reproduce the colours of the objects at all.
LED lamps usually have a CRI of 80 to 95, which means that they reproduce the colours of objects well. However, LED lamps with a colour rendering index of 100 have recently been introduced by manufacturers such as YUJILEDS and are particularly suitable for use in areas where the quality of colour rendering is important, e.g. in photo studios or museums.
In the printing industry, D50 standard light is the common standard light in Europe. Whether you need D50 standardised light depends on your requirements. If the colours of objects and prints need to be reproduced very accurately, D50 standard light is the best choice.
However, if the requirements for colour rendering quality are not so high, an LED with a high CRI can simply be used. LED lamps with a high colour rendering index are generally cheaper than D50 lamps and easier to find.
At Proof GmbH, we have standard light booths from Just with D50 standard light, but we often only use an LED with 500 Kelvin and the highest possible CRI of 90+ on the winders. Nevertheless, significant colour differences and metamerism effects often occur here when proofs are only viewed on the cutting table. We therefore always use the standard light booths for a comprehensive colour assessment.
Unfortunately, no retrofit solutions are currently available for simply replacing ‘old’ D50 standard light neon tubes with LED tubes, for example. As neon tubes will be banned from 2024, completely new LED units must currently be purchased and installed from Just, for example, when replacing old D50 standard light neon tubes. However, at several thousand euros, the replacement is currently still quite expensive.
Today I received an email in which PANTONE asked how it should orientate its products and services in the future. The users were asked which countries, industries and company sizes they come from, but also what PANTONE products should look like in the future and what customers would be prepared to pay for PANTONE services in the future. Question: How much can PANTONE services cost? PANTONE appears to be orientating itself on the PANTONE Connect prices: All price queries have the lowest price category < $ 7,- / month, i.e. … read more
After Eddy Hagen pointed out in this posts, that there were some major colour deviations between the brand new PANTONE Solid Coated Guide 2023 and the previous version especially for the PANTONE 2635 C, I was curious to lookup the same colours in the new PANTONE Color Bridge Coated Guide of 2023 and compare the colours with the previous version. I measured a dE00 of 8,15 between the two colours that Eddy mentioned, which is really far apart from how accurate PANTONE colours should match between the different PANTONE guides. … read more
In this short image video we – the Proof GmbH – introduce us and our work. Find out who we are and what drives us. What do you think of our short film?
Offset and Newsprint ISO Coated v2 (ECI) / ISO Coated v2 300% (ECI) Profile: ISOcoated_v2_eci.icc Standard for glossy and matte coated paper Paper: Types 1 and 2, gloss and matte coated Tone value increase curves A (CMY) and B (K) as defined in ISO 12647-2:2004 Characterisation Data: FOGRA39L ISOUncoated Profile: ISOUncoated.icc Standard for uncoated white natural paper Paper: paper grade 4, uncoated white offset, dot gain curves C (CMY) and D (K) from ISO 12647-2: 2004 Characterisation Data: FOGRA29L PSOCoatedV3 / Fogra 51 Profile: PSOcoated_v3.icc The successor of ISOCoatedV2 for glossy … read more
Several errors have crept into the new PANTONE 2023 fan decks. In both the PANTONE Solid Coated and the Solid Uncoated color fans, there are colours for which the new ink formulations are incorrect. In the PANTONE Formula Guide Solid Coated fan 2023, PANTONE 107 C and PANTONE 108 C have absolutely identical ink recipes, as well as PANTONE 113 C and PANTONE 114 C. As the colors differ, this cannot be the correct. Several errors in the PANTONE Solid Uncoated fan 2023 In the PANTONE Solid Uncoated fan 2023 … read more
In the current issue of Fogra News “Fogra Aktuell” Proof GmbH is involved in two places. Firstly, a summary of the Fogra report on our first FOGRA55 certification for seven-colour printing with extended colour space in CMYKOGV appeared. You can also find more information on our FOGRA55 certification on the Fogra website: https://fogra.org/en/press-releases/fogracert-erste-cpc-zertifizierung-fuer-fogra55-cmykogv-330 and on proofing.de: And secondly, there was a report on the completion of the research project for textile digital printing, FOGRA58, in which we were allowed to investigate and test the proof capability of the new textile … read more
In 2021 proof.de was again Fogra certified including Fogra “Spot cert” certification, i.e. for the display of spot colours such as PANTONE C and U.
Over the last few months, we at Proof.de have been thinking about further improving our already very good colour measurement technology in terms of speed and measurement precision. Relatively quickly it became clear that only two devices would come into question: The KonicaMinolta MYIRO-9, the successor of the former FD-9, or the X-Rite ISIS 2 XL. The starting point: Since we at Proof GmbH have 5 proofing devices, the calibration of targets for profile optimisation is a time-critical undertaking for us. Therefore, we had been looking around for an upgrade of … read more
A new generation of colour measuring devices is entering the market: in contrast to the classic measuring devices, which are available as a fully encapsulated system either as a colourimeter or as a spectrophotometer, and then supply the data to a computer via an interface or app or display it directly, the new generation of colour measuring devices consist only of lighting and software, with the optics of a modern iPhone from Apple being used as the sensor. Until now, there have been two categories of measuring devices on the … read more
Digimarc is a digital watermark that can be used to embed information in images, videos or other media. Digimarc watermarks are invisible to the human eye, but remain recognisable to special software or devices. Digimarc is becoming increasingly popular in the packaging sector in particular, as this technology allows the digits of the EAN barcode and more to be applied invisibly to all areas of the packaging. Digimarc and EAN barcode at the supermarket checkout When scanning at the checkout, the checkout staff do not have to search for the … read more