The CRI (Colour Rendering Index) is a measure of the colour rendering quality of a light source. It indicates how well a light source reproduces the colours of objects in comparison to a reference light source, e.g. a daylight spectrum.
The colour rendering index is measured on a scale from 0 to 100. A value of 100 means that the light source reproduces the colours of objects perfectly. A value of 0 means that the light source does not reproduce the colours of the objects at all.
LED lamps usually have a CRI of 80 to 95, which means that they reproduce the colours of objects well. However, LED lamps with a colour rendering index of 100 have recently been introduced by manufacturers such as YUJILEDS and are particularly suitable for use in areas where the quality of colour rendering is important, e.g. in photo studios or museums.
In the printing industry, D50 standard light is the common standard light in Europe. Whether you need D50 standardised light depends on your requirements. If the colours of objects and prints need to be reproduced very accurately, D50 standard light is the best choice.
However, if the requirements for colour rendering quality are not so high, an LED with a high CRI can simply be used. LED lamps with a high colour rendering index are generally cheaper than D50 lamps and easier to find.
At Proof GmbH, we have standard light booths from Just with D50 standard light, but we often only use an LED with 500 Kelvin and the highest possible CRI of 90+ on the winders. Nevertheless, significant colour differences and metamerism effects often occur here when proofs are only viewed on the cutting table. We therefore always use the standard light booths for a comprehensive colour assessment.
Unfortunately, no retrofit solutions are currently available for simply replacing ‘old’ D50 standard light neon tubes with LED tubes, for example. As neon tubes will be banned from 2024, completely new LED units must currently be purchased and installed from Just, for example, when replacing old D50 standard light neon tubes. However, at several thousand euros, the replacement is currently still quite expensive.
Even almost 9 years after the introduction of the successor colour space PSOCoatedV3, ISOCoatedV2 / FOGRA39 is still the most widespread colour space in Europe. We at Proof GmbH count around 200 jobs from time to time for the German Printing and Media Industries Federation, among others. In the last count, proofs in ISOCoatedV2 accounted for around 68% of all proof jobs at our company. This is a clear sign of the continued widespread use of the colour space. ISOCoatedV2: From the classic colour space to the beacon of the … read more
Anyone who has reinstalled or updated their i1 Profiler app in the last few weeks has been confronted with disturbing news: X-Rite announced directly in the start window that it would no longer support its enormously popular i1Display and i1Pro2 devices. Users of the i1Pro 2 devices and i1iO 2 tables, which are extremely popular in printing and colour management, will be particularly hard hit by the announcement: An investment of €6,000 is quickly consigned to the electronic scrap heap. But what can you do if you own such a … read more
RGB colour spaces are colour systems that represent different hues with the three primary colours red, green and blue. RGB colour spaces are used in digital image processing, photography and computer technology to precisely define colours. The most important RGB colour spaces and their special features are: sRGB sRGB is the most widely used RGB colour space and is used by most monitors, printers and digital cameras. It was developed by HP and Microsoft in the 1990s to create a standard for colour representation on the internet and on various … read more
Whether it’s a large global corporation or a small company, the following often applies to designs or redesigns today: we develop everything for digital first.
This year we once again created proofs for Fogra certification and sent them to Munich-Aschheim for testing. With these proof prints, which we print according to three different proof standards and on three different papers, we point out that we not only deliver excellent proof quality through internal quality controls and checks, but that the quality of our proofs is also measured and confirmed by external experts. We have now had test prints certified by Fogra for the 12th time. We have also been “Spot-cert” certified for the display of … read more
Today I received an email in which PANTONE asked how it should orientate its products and services in the future. The users were asked which countries, industries and company sizes they come from, but also what PANTONE products should look like in the future and what customers would be prepared to pay for PANTONE services in the future. Question: How much can PANTONE services cost? PANTONE appears to be orientating itself on the PANTONE Connect prices: All price queries have the lowest price category < $ 7,- / month, i.e. … read more
A new generation of colour measuring devices is entering the market: in contrast to the classic measuring devices, which are available as a fully encapsulated system either as a colourimeter or as a spectrophotometer, and then supply the data to a computer via an interface or app or display it directly, the new generation of colour measuring devices consist only of lighting and software, with the optics of a modern iPhone from Apple being used as the sensor. Until now, there have been two categories of measuring devices on the … read more
Adobe products are ideal for image retouching and layout and handle RGB and CMYK colour profiles very well. However, when editing and retouching grayscale images, for example for a black-and-white photo book, the experience is quite different. Suddenly, images look completely different in InDesign than they do in Photoshop, and even when exporting the image to PDF, greyscale images are suddenly treated differently. This article explains where the problems lie with black-and-white images and greyscale profiles in InDesign and Photoshop layouts, and how you can work in a more ‘colour-accurate’ … read more
A few days ago Proof GmbH was the first company to be certified for proofing for the new 7C exchange colour space FOGRA55. Fogra has developed characterisation data for extended multicolour printing with the printing colours CMYKOGV – i.e. cyan, magenta, yellow, black (contrast), orange, green and violet – FOGRA55 as part of a research project over the past few years. The characterisation data and the ICC profile Ref-ECG-CMYKOGV_FOGRA55_TAC300.icc have been published on the Fogra website in recent weeks. We have now carried out the certification via GMG ColorProof, as … read more
From now on you can order proofs for metal decor printing on white sheet metal at proof.de: The ICC profile for Fogra60 is Metal-Printing_MPC1_FOGRA60.icc