Kraftliner, also known as craft paper or kraft paper, is a particularly strong paper that plays an important role in the printing and packaging industry. The name ‘Kraft’ comes from the German word for ‘strength’, which describes the main property of this material well. It is mainly made from wood fibres, which are prepared in a special process known as the Kraft process. In this process, the wood chips are chemically treated to separate the cellulose fibres from the lignin. The result is long, resistant fibres that give the paper its strength.
This paper has a natural brown colour, but can also be bleached or dyed in different colours. It is very tear-resistant and resistant to mechanical stress, which makes it ideal for packaging heavy or bulky goods. It is often found as the outer layer of corrugated cardboard used for transporting goods.
Another common application for kraft paper is carrier bags and envelopes. Carrier bags made from kraft paper are very popular in the retail sector as they are strong enough to transport purchases home safely. These bags are often printed to display a shop’s logo or advertising message. Kraft paper envelopes are also useful, especially when it comes to sending documents and smaller items securely.
Kraft paper can also be found in labels and tags, especially in the fashion and food industries. They give products a rustic and natural look. Kraft paper is also popular in the printing sector, especially for printed matter that is intended to convey an environmentally friendly or handmade impression. Although the print quality on the rough surface is not as good as on smoother papers, the natural look has its own charm.
A major advantage of kraft paper is its environmental friendliness. It is fully recyclable and biodegradable. Many manufacturers make sure that the wood used comes from sustainably managed forests, and unbleached kraft paper also saves on chemicals, which further reduces the ecological footprint.
To summarise, kraft paper is a strong, versatile and environmentally friendly material that is used in many areas of the printing and packaging industry. It offers practical benefits and aesthetic qualities that make it a popular choice for businesses and consumers who value sustainability.
This year we once again created proofs for Fogra certification and sent them to Munich-Aschheim for testing. With these proof prints, which we print according to three different proof standards and on three different papers, we point out that we not only deliver excellent proof quality through internal quality controls and checks, but that the quality of our proofs is also measured and confirmed by external experts. We have now had test prints certified by Fogra for the 12th time. We have also been “Spot-cert” certified for the display of … read more
From now on, it’s much easier and faster: in the Proof Shop, you can call up and reorder entire orders or individual proofs directly from your order history. This saves you from having to re-enter every detail and gives you the assurance that all settings will be exactly the same as last time. With just a few clicks, your proofs are reordered – reliably, easily and in no time at all. What exactly is new? You can find your order history in your customer account. There are two new options … read more
From now on you can order proofs for metal decor printing on white sheet metal at proof.de: The ICC profile for Fogra60 is Metal-Printing_MPC1_FOGRA60.icc
A few days ago Proof GmbH was the first company to be certified for proofing for the new 7C exchange colour space FOGRA55. Fogra has developed characterisation data for extended multicolour printing with the printing colours CMYKOGV – i.e. cyan, magenta, yellow, black (contrast), orange, green and violet – FOGRA55 as part of a research project over the past few years. The characterisation data and the ICC profile Ref-ECG-CMYKOGV_FOGRA55_TAC300.icc have been published on the Fogra website in recent weeks. We have now carried out the certification via GMG ColorProof, as … read more
A new generation of colour measuring devices is entering the market: in contrast to the classic measuring devices, which are available as a fully encapsulated system either as a colourimeter or as a spectrophotometer, and then supply the data to a computer via an interface or app or display it directly, the new generation of colour measuring devices consist only of lighting and software, with the optics of a modern iPhone from Apple being used as the sensor. Until now, there have been two categories of measuring devices on the … read more
Adobe products are ideal for image retouching and layout and handle RGB and CMYK colour profiles very well. However, when editing and retouching grayscale images, for example for a black-and-white photo book, the experience is quite different. Suddenly, images look completely different in InDesign than they do in Photoshop, and even when exporting the image to PDF, greyscale images are suddenly treated differently. This article explains where the problems lie with black-and-white images and greyscale profiles in InDesign and Photoshop layouts, and how you can work in a more ‘colour-accurate’ … read more
Whether it’s a large global corporation or a small company, the following often applies to designs or redesigns today: we develop everything for digital first.
Peter Jäger is an expert in colour management that reliably works across the boundaries of printers and monitors, web and print – essentially: cross-media.
The most important colour management event takes place every two years in Munich: the Fogra Colour Management Symposium. Once again this year, all professionals are invited to make the pilgrimage to Munich: two days of lectures, discussions and a Bavarian evening await participants. Matthias Betz, owner of proof.de, will also be there again: for many years, he has been taking advantage of the opportunity to exchange ideas with colleagues and friends, learn about new technologies, hardware and software, and talk to colleagues from Fogra, freieFarbe, GMG and many more. In … read more
In recent weeks, there have been lengthy discussions on the Fogra digital printing mailing list as to whether a research project should be launched to define standardised tonal value gradations for spot colours. What is this all about? In the field of CMYK and seven-colour printing, the definition of clear, printable and proofable standards is well established and has been tried and tested in practice. If the paper or paper class is known and defined, a measuring standard such as M0/M1/M2 has been established and the content of optical brighteners … read more