Kraftliner, also known as craft paper or kraft paper, is a particularly strong paper that plays an important role in the printing and packaging industry. The name ‘Kraft’ comes from the German word for ‘strength’, which describes the main property of this material well. It is mainly made from wood fibres, which are prepared in a special process known as the Kraft process. In this process, the wood chips are chemically treated to separate the cellulose fibres from the lignin. The result is long, resistant fibres that give the paper its strength.
This paper has a natural brown colour, but can also be bleached or dyed in different colours. It is very tear-resistant and resistant to mechanical stress, which makes it ideal for packaging heavy or bulky goods. It is often found as the outer layer of corrugated cardboard used for transporting goods.
Another common application for kraft paper is carrier bags and envelopes. Carrier bags made from kraft paper are very popular in the retail sector as they are strong enough to transport purchases home safely. These bags are often printed to display a shop’s logo or advertising message. Kraft paper envelopes are also useful, especially when it comes to sending documents and smaller items securely.
Kraft paper can also be found in labels and tags, especially in the fashion and food industries. They give products a rustic and natural look. Kraft paper is also popular in the printing sector, especially for printed matter that is intended to convey an environmentally friendly or handmade impression. Although the print quality on the rough surface is not as good as on smoother papers, the natural look has its own charm.
A major advantage of kraft paper is its environmental friendliness. It is fully recyclable and biodegradable. Many manufacturers make sure that the wood used comes from sustainably managed forests, and unbleached kraft paper also saves on chemicals, which further reduces the ecological footprint.
To summarise, kraft paper is a strong, versatile and environmentally friendly material that is used in many areas of the printing and packaging industry. It offers practical benefits and aesthetic qualities that make it a popular choice for businesses and consumers who value sustainability.
This year we once again created proofs for Fogra certification and sent them to Munich-Aschheim for testing. With these proof prints, which we print according to three different proof standards and on three different papers, we point out that we not only deliver excellent proof quality through internal quality controls and checks, but that the quality of our proofs is also measured and confirmed by external experts. We have now had test prints certified by Fogra for the 12th time. We have also been “Spot-cert” certified for the display of … read more
In the current issue of Fogra News “Fogra Aktuell” Proof GmbH is involved in two places. Firstly, a summary of the Fogra report on our first FOGRA55 certification for seven-colour printing with extended colour space in CMYKOGV appeared. You can also find more information on our FOGRA55 certification on the Fogra website: https://fogra.org/en/press-releases/fogracert-erste-cpc-zertifizierung-fuer-fogra55-cmykogv-330 and on proofing.de: And secondly, there was a report on the completion of the research project for textile digital printing, FOGRA58, in which we were allowed to investigate and test the proof capability of the new textile … read more
RGB colour spaces are colour systems that represent different hues with the three primary colours red, green and blue. RGB colour spaces are used in digital image processing, photography and computer technology to precisely define colours. The most important RGB colour spaces and their special features are: sRGB sRGB is the most widely used RGB colour space and is used by most monitors, printers and digital cameras. It was developed by HP and Microsoft in the 1990s to create a standard for colour representation on the internet and on various … read more
Digimarc is a digital watermark that can be used to embed information in images, videos or other media. Digimarc watermarks are invisible to the human eye, but remain recognisable to special software or devices. Digimarc is becoming increasingly popular in the packaging sector in particular, as this technology allows the digits of the EAN barcode and more to be applied invisibly to all areas of the packaging. Digimarc and EAN barcode at the supermarket checkout When scanning at the checkout, the checkout staff do not have to search for the … read more
Anyone who has reinstalled or updated their i1 Profiler app in the last few weeks has been confronted with disturbing news: X-Rite announced directly in the start window that it would no longer support its enormously popular i1Display and i1Pro2 devices. Users of the i1Pro 2 devices and i1iO 2 tables, which are extremely popular in printing and colour management, will be particularly hard hit by the announcement: An investment of €6,000 is quickly consigned to the electronic scrap heap. But what can you do if you own such a … read more
Today I received an email in which PANTONE asked how it should orientate its products and services in the future. The users were asked which countries, industries and company sizes they come from, but also what PANTONE products should look like in the future and what customers would be prepared to pay for PANTONE services in the future. Question: How much can PANTONE services cost? PANTONE appears to be orientating itself on the PANTONE Connect prices: All price queries have the lowest price category < $ 7,- / month, i.e. … read more
Adobe products are ideal for image retouching and layout and handle RGB and CMYK colour profiles very well. However, when editing and retouching grayscale images, for example for a black-and-white photo book, the experience is quite different. Suddenly, images look completely different in InDesign than they do in Photoshop, and even when exporting the image to PDF, greyscale images are suddenly treated differently. This article explains where the problems lie with black-and-white images and greyscale profiles in InDesign and Photoshop layouts, and how you can work in a more ‘colour-accurate’ … read more
After Eddy Hagen pointed out in this posts, that there were some major colour deviations between the brand new PANTONE Solid Coated Guide 2023 and the previous version especially for the PANTONE 2635 C, I was curious to lookup the same colours in the new PANTONE Color Bridge Coated Guide of 2023 and compare the colours with the previous version. I measured a dE00 of 8,15 between the two colours that Eddy mentioned, which is really far apart from how accurate PANTONE colours should match between the different PANTONE guides. … read more
The most important colour management event takes place every two years in Munich: the Fogra Colour Management Symposium. Once again this year, all professionals are invited to make the pilgrimage to Munich: two days of lectures, discussions and a Bavarian evening await participants. Matthias Betz, owner of proof.de, will also be there again: for many years, he has been taking advantage of the opportunity to exchange ideas with colleagues and friends, learn about new technologies, hardware and software, and talk to colleagues from Fogra, freieFarbe, GMG and many more. In … read more
At long last, we are able to fulfil a request made by many of our customers: from now on, you can register two email addresses in the Proof Shop – one for logging in and receiving status or tracking emails, and a separate one solely for receiving digital PDF invoices. Over the past few years, we have already switched many Proof customers to digital invoicing at their request, i.e. we generated a PDF invoice and then sent it manually to a second email address on file with us in the … read more