The ‘ProcessStandard Rotogravure’ (PSR) is a gravure printing standard provided by Fogra, the ECI and the German Printing and Media Industries Federation (Bundesverband Druck und Medien). The ProcessStandard Rotogravure is a standard developed exclusively for gravure printing.
As the printing industry is constantly changing, the PSR_V2 standards were revised in 2019 in line with the new paper colourings and measurement conditions:
PSR LWC Standard V2 M1 (2019)
Profile: PSR_LWC_STD_V2_M1.icc
The successor to LWC Standard (PSR_LWC_STD_V2_PT)
PSR LWC Plus V2 M1 v2 (2020)
Profile: PSR_LWC_PLUS_V2_M1_v2.icc
The successor to LWC Plus (PSR_LWC_PLUS_V2_M1, PSR_LWC_PLUS_V2_PT )
PSR SC Standard V2 M1 (2019)
Profile: PSR_SC_STD_V2_M1.icc
The successor to SC Standard (PSR_SC_STD_V2_PT)
PSR SC Plus V2 M1 (2019)
Profile: PSR_SC_Plus_V2_M1.icc
The successor to SC Plus (PSR_SC_PLUS_V2_PTc)
PSR MF V2 M1 (2019)
Profile: PSR_MF_V2_M1.icc
The successor to News Plus (PSRgravureMF)
Other standards:
LWC Standard (2009)
Profile: PSR_LWC_STD_V2_PT.icc
LWC Plus (2009)
Profiel: PSR_LWC_PLUS_V2_PT.icc
SC Standard (2009)
Profile: PSR_SC_STD_V2.icc
SC Plus (2009)
Profile: PSR_SC_Plus_V2.icc
News Plus (2004)
Profile: PSRgravureMF.icc
Further information can be found on the ECI website.
In the current issue of Fogra News “Fogra Aktuell” Proof GmbH is involved in two places. Firstly, a summary of the Fogra report on our first FOGRA55 certification for seven-colour printing with extended colour space in CMYKOGV appeared. You can also find more information on our FOGRA55 certification on the Fogra website: https://fogra.org/en/press-releases/fogracert-erste-cpc-zertifizierung-fuer-fogra55-cmykogv-330 and on proofing.de: And secondly, there was a report on the completion of the research project for textile digital printing, FOGRA58, in which we were allowed to investigate and test the proof capability of the new textile … read more
Even almost 9 years after the introduction of the successor colour space PSOCoatedV3, ISOCoatedV2 / FOGRA39 is still the most widespread colour space in Europe. We at Proof GmbH count around 200 jobs from time to time for the German Printing and Media Industries Federation, among others. In the last count, proofs in ISOCoatedV2 accounted for around 68% of all proof jobs at our company. This is a clear sign of the continued widespread use of the colour space. ISOCoatedV2: From the classic colour space to the beacon of the … read more
Today I received an email in which PANTONE asked how it should orientate its products and services in the future. The users were asked which countries, industries and company sizes they come from, but also what PANTONE products should look like in the future and what customers would be prepared to pay for PANTONE services in the future. Question: How much can PANTONE services cost? PANTONE appears to be orientating itself on the PANTONE Connect prices: All price queries have the lowest price category < $ 7,- / month, i.e. … read more
Adobe products are ideal for image retouching and layout and handle RGB and CMYK colour profiles very well. However, when editing and retouching grayscale images, for example for a black-and-white photo book, the experience is quite different. Suddenly, images look completely different in InDesign than they do in Photoshop, and even when exporting the image to PDF, greyscale images are suddenly treated differently. This article explains where the problems lie with black-and-white images and greyscale profiles in InDesign and Photoshop layouts, and how you can work in a more ‘colour-accurate’ … read more
The most important colour management event takes place every two years in Munich: the Fogra Colour Management Symposium. Once again this year, all professionals are invited to make the pilgrimage to Munich: two days of lectures, discussions and a Bavarian evening await participants. Matthias Betz, owner of proof.de, will also be there again: for many years, he has been taking advantage of the opportunity to exchange ideas with colleagues and friends, learn about new technologies, hardware and software, and talk to colleagues from Fogra, freieFarbe, GMG and many more. In … read more
A few days ago Proof GmbH was the first company to be certified for proofing for the new 7C exchange colour space FOGRA55. Fogra has developed characterisation data for extended multicolour printing with the printing colours CMYKOGV – i.e. cyan, magenta, yellow, black (contrast), orange, green and violet – FOGRA55 as part of a research project over the past few years. The characterisation data and the ICC profile Ref-ECG-CMYKOGV_FOGRA55_TAC300.icc have been published on the Fogra website in recent weeks. We have now carried out the certification via GMG ColorProof, as … read more
Over the last few months, we at Proof.de have been thinking about further improving our already very good colour measurement technology in terms of speed and measurement precision. Relatively quickly it became clear that only two devices would come into question: The KonicaMinolta MYIRO-9, the successor of the former FD-9, or the X-Rite ISIS 2 XL. The starting point: Since we at Proof GmbH have 5 proofing devices, the calibration of targets for profile optimisation is a time-critical undertaking for us. Therefore, we had been looking around for an upgrade of … read more
From now on you can order proofs for metal decor printing on white sheet metal at proof.de: The ICC profile for Fogra60 is Metal-Printing_MPC1_FOGRA60.icc
Digimarc is a digital watermark that can be used to embed information in images, videos or other media. Digimarc watermarks are invisible to the human eye, but remain recognisable to special software or devices. Digimarc is becoming increasingly popular in the packaging sector in particular, as this technology allows the digits of the EAN barcode and more to be applied invisibly to all areas of the packaging. Digimarc and EAN barcode at the supermarket checkout When scanning at the checkout, the checkout staff do not have to search for the … read more
Peter Jäger is an expert in colour management that reliably works across the boundaries of printers and monitors, web and print – essentially: cross-media.