Saturation or colour saturation is a characteristic of the colourfulness of a colour. Alongside hue and brightness, saturation is one of the basic perceived properties of a colour. It describes the quality of a colour location, whether it tends towards bright or achromatic colours. Black and white, but also all shades of grey, are described as achromatic and unsaturated colours.
The ‘Saturation’ rendering intent is a rendering intent that is used in some colour management applications. However, this rendering intent is not available and implemented in all software.
The ‘Saturation’ rendering intent is based on maintaining the saturation of the colours and can be helpful in certain situations. With this rendering intent, the colours are converted in such a way that the relative saturation is retained. This can make colours appear more vivid and saturated.
This rendering intent can be used, for example, if the saturation of the colours in the image or in the display is particularly important, for example in screenshots, pie charts, statistics bars or in graphic designs that are intended to achieve a strong visual effect but where harmonious colour reproduction, as in photographs, does not need to be taken into account.
The ‘saturation’ rendering intent leads to a shift in other colour aspects such as changes in brightness or hue. This rendering intent should therefore be used with caution. The ‘saturation’ rendering intent is much less common in use than rendering intents such as ‘perceptual’, ‘relative colourimetric’ or ‘absolute colourimetric’.
Today I received an email in which PANTONE asked how it should orientate its products and services in the future. The users were asked which countries, industries and company sizes they come from, but also what PANTONE products should look like in the future and what customers would be prepared to pay for PANTONE services in the future. Question: How much can PANTONE services cost? PANTONE appears to be orientating itself on the PANTONE Connect prices: All price queries have the lowest price category < $ 7,- / month, i.e. … read more
A few days ago Proof GmbH was the first company to be certified for proofing for the new 7C exchange colour space FOGRA55. Fogra has developed characterisation data for extended multicolour printing with the printing colours CMYKOGV – i.e. cyan, magenta, yellow, black (contrast), orange, green and violet – FOGRA55 as part of a research project over the past few years. The characterisation data and the ICC profile Ref-ECG-CMYKOGV_FOGRA55_TAC300.icc have been published on the Fogra website in recent weeks. We have now carried out the certification via GMG ColorProof, as … read more
In recent years, various problems have arisen with our previous proof paper supplier. On the one hand, we sometimes had to wait more than three months for paper deliveries; on the other hand, we sometimes had significant problems with batch-to-batch discrepancies, surface defects and much more. After lengthy deliberations, we decided in December to replace all the paper. We therefore received pallets of new paper at the turn of the year, which we are now gradually incorporating into our production. There will be no hard cut, but the new papers … read more
In this short image video we – the Proof GmbH – introduce us and our work. Find out who we are and what drives us. What do you think of our short film?
From now on you can order proofs for metal decor printing on white sheet metal at proof.de: The ICC profile for Fogra60 is Metal-Printing_MPC1_FOGRA60.icc
Peter Jäger is an expert in colour management that reliably works across the boundaries of printers and monitors, web and print – essentially: cross-media.
A new generation of colour measuring devices is entering the market: in contrast to the classic measuring devices, which are available as a fully encapsulated system either as a colourimeter or as a spectrophotometer, and then supply the data to a computer via an interface or app or display it directly, the new generation of colour measuring devices consist only of lighting and software, with the optics of a modern iPhone from Apple being used as the sensor. Until now, there have been two categories of measuring devices on the … read more
Shortly after Adobe’s announcement to remove PANTONE colours from their products, PANTONE removed the popular PANTONE Find a Color from their website
After Eddy Hagen pointed out in this posts, that there were some major colour deviations between the brand new PANTONE Solid Coated Guide 2023 and the previous version especially for the PANTONE 2635 C, I was curious to lookup the same colours in the new PANTONE Color Bridge Coated Guide of 2023 and compare the colours with the previous version. I measured a dE00 of 8,15 between the two colours that Eddy mentioned, which is really far apart from how accurate PANTONE colours should match between the different PANTONE guides. … read more
RGB colour spaces are colour systems that represent different hues with the three primary colours red, green and blue. RGB colour spaces are used in digital image processing, photography and computer technology to precisely define colours. The most important RGB colour spaces and their special features are: sRGB sRGB is the most widely used RGB colour space and is used by most monitors, printers and digital cameras. It was developed by HP and Microsoft in the 1990s to create a standard for colour representation on the internet and on various … read more